Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 139
... sound also challenged its innate virtues . The effects of music , it was said , do not derive either from sound itself , no matter how harmonious , or from the projected feeling of the performer , but from the motion of air set up by sound ...
... sound also challenged its innate virtues . The effects of music , it was said , do not derive either from sound itself , no matter how harmonious , or from the projected feeling of the performer , but from the motion of air set up by sound ...
Seite 141
... sound , sound was thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ...
... sound , sound was thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ...
Seite 143
... sound apart from the effect of sound itself . “ The point which Ficino always emphasizes , " writes D. P. Walker , " is that music has stronger effect than anything transmitted through the other senses , because its medium , air , is of ...
... sound apart from the effect of sound itself . “ The point which Ficino always emphasizes , " writes D. P. Walker , " is that music has stronger effect than anything transmitted through the other senses , because its medium , air , is of ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote