Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 48
... soul was described as being really three souls- rational soul residing in the head , sensitive soul in the heart , natural soul in the lower part of the body . A majority of writers , however , imagined one soul with different functions ...
... soul was described as being really three souls- rational soul residing in the head , sensitive soul in the heart , natural soul in the lower part of the body . A majority of writers , however , imagined one soul with different functions ...
Seite 49
... soul and an inner rapture , in which the soul separated itself from the body by withdrawing into itself within the body , a state which might be induced by sleep or solitude . " This separa- tion of the Soul , ” writes Kristeller ...
... soul and an inner rapture , in which the soul separated itself from the body by withdrawing into itself within the body , a state which might be induced by sleep or solitude . " This separa- tion of the Soul , ” writes Kristeller ...
Seite 53
... soul of man and the soul of the universe are similarly harmonious and that the harmony of music reveals to man the divine harmony in which his soul shares , a notion to which the orgiastic use of music was not entirely unrelated . For ...
... soul of man and the soul of the universe are similarly harmonious and that the harmony of music reveals to man the divine harmony in which his soul shares , a notion to which the orgiastic use of music was not entirely unrelated . For ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote