Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 38
... proportions depend mainly , wrote Wotton , on the octave , the fifth , and the fourth , which apply as well to ... proportion ... cannot decently posesse the whole Field ... [ and ] is , by necessary sequel , a discord . " " The ...
... proportions depend mainly , wrote Wotton , on the octave , the fifth , and the fourth , which apply as well to ... proportion ... cannot decently posesse the whole Field ... [ and ] is , by necessary sequel , a discord . " " The ...
Seite 42
... proportion . But tempus was also akin to temperare , “ to temper , " to adjust harmoniously . To temper a string of an instrument meant to put it in tune , to give it proportion in pitch . Richard , who has exceeded the authority of ...
... proportion . But tempus was also akin to temperare , “ to temper , " to adjust harmoniously . To temper a string of an instrument meant to put it in tune , to give it proportion in pitch . Richard , who has exceeded the authority of ...
Seite 94
... proportion , as in Shakespeare's " How sour sweet music is / When time is broke and no proportion kept ! " Sweetness meant " agreement " in Samuel Rowley's lines , " Another sweetnesse , and harmonious sound , / A milder straine ...
... proportion , as in Shakespeare's " How sour sweet music is / When time is broke and no proportion kept ! " Sweetness meant " agreement " in Samuel Rowley's lines , " Another sweetnesse , and harmonious sound , / A milder straine ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote