Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 86
... physical love and to produce other effects , as will be seen in later chapters . One statement , in a letter to Antonio Canisiano , is in medical context and describes not the effect of sound alone , but of music with words , which ...
... physical love and to produce other effects , as will be seen in later chapters . One statement , in a letter to Antonio Canisiano , is in medical context and describes not the effect of sound alone , but of music with words , which ...
Seite 95
... physical and intellectual aspects of Ficino's ( and Plato's ) account of the operations of love . Enjoyment of physical pleasures need not be condemned , as it was by Neoplatonic purists ; they are the first step in love's sublimation ...
... physical and intellectual aspects of Ficino's ( and Plato's ) account of the operations of love . Enjoyment of physical pleasures need not be condemned , as it was by Neoplatonic purists ; they are the first step in love's sublimation ...
Seite 126
... physical interpretation . They were not the first to attempt revival of ancient music . Musicians and poets throughout the century had been agitated by this desire , a desire that moti- vated the famous attempts of the Pléiade and ...
... physical interpretation . They were not the first to attempt revival of ancient music . Musicians and poets throughout the century had been agitated by this desire , a desire that moti- vated the famous attempts of the Pléiade and ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote