Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 130
... performed monodies , now lost ( foreshadowed by the Orphic monodies of Ficino ) , which illustrated this oratorical - dramatic style . He chose not the light verse usually found in the madrigal , but the moving poetry of Dante and the ...
... performed monodies , now lost ( foreshadowed by the Orphic monodies of Ficino ) , which illustrated this oratorical - dramatic style . He chose not the light verse usually found in the madrigal , but the moving poetry of Dante and the ...
Seite 274
... performed and published : two sacred musical works were performed in Rome in 1625 and 1631 ( Erminia sul Giordano and Martirio de Santi Abundio ) ; in 1632 was published an entire volume of dramas for 274 Musical Backgrounds for English ...
... performed and published : two sacred musical works were performed in Rome in 1625 and 1631 ( Erminia sul Giordano and Martirio de Santi Abundio ) ; in 1632 was published an entire volume of dramas for 274 Musical Backgrounds for English ...
Seite 281
... performed in 1699 , but composed earlier . It was published in Poesie del Sig . Marchese Scipione Maffei ( Verona , 1752 ) , II , 297-306 . Of special interest is Il Sansone by Benedetto Ferrari , to be discussed later . 31. Manfred F ...
... performed in 1699 , but composed earlier . It was published in Poesie del Sig . Marchese Scipione Maffei ( Verona , 1752 ) , II , 297-306 . Of special interest is Il Sansone by Benedetto Ferrari , to be discussed later . 31. Manfred F ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote