Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 130
... pastoral drama , especially Tasso's Aminto and Gua- rini's Il Pastor Fido , as well as on Greek tragedy , but they were shorter than the pastoral plays , the plots were less complicated , and the stories were based on mythological ...
... pastoral drama , especially Tasso's Aminto and Gua- rini's Il Pastor Fido , as well as on Greek tragedy , but they were shorter than the pastoral plays , the plots were less complicated , and the stories were based on mythological ...
Seite 202
... pastoral ; the second , while it begins in a pastoral vein , is ecclesiastical , moral . Moreover , this second division is less stylized than the first . Instead of being a series of set songs , of small forms , it is a free treat ...
... pastoral ; the second , while it begins in a pastoral vein , is ecclesiastical , moral . Moreover , this second division is less stylized than the first . Instead of being a series of set songs , of small forms , it is a free treat ...
Seite 204
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
... pastoral . These two lines are marked by an interesting change of rhythm . The first line and a half are recitative , as was the preceding passage . The last half line is lighter in style and carries on into the lyrical passage that ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote