Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 130
... move by word , music , and gesture . The music ( to use the word in the present - day sense ) was in the new monodic style of solo singing , with chordal accom- paniment , that varied between declamation and melody . The total effect ...
... move by word , music , and gesture . The music ( to use the word in the present - day sense ) was in the new monodic style of solo singing , with chordal accom- paniment , that varied between declamation and melody . The total effect ...
Seite 148
... move the muscles or restrain them . They may even mount up under the soul to elevate it . The reason that Scaliger gave for this motion was dis- appointingly traditional . Spirits move in correspondence to air by the law of sympathy ...
... move the muscles or restrain them . They may even mount up under the soul to elevate it . The reason that Scaliger gave for this motion was dis- appointingly traditional . Spirits move in correspondence to air by the law of sympathy ...
Seite 150
... move , not for the reason that two instruments sound in sympathy , but for the same reason that one responds to the physical sensation of tickling , from the fact that The very sound it selfe , which according to the best philo- sophie ...
... move , not for the reason that two instruments sound in sympathy , but for the same reason that one responds to the physical sensation of tickling , from the fact that The very sound it selfe , which according to the best philo- sophie ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote