Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 78
... motion , and the motion set up by one could change into the motion of the other . The motion of sound , Plato had written in the Timaeus , is circular , akin to the circular motion of men's souls and to the motion of the spheres . Sound ...
... motion , and the motion set up by one could change into the motion of the other . The motion of sound , Plato had written in the Timaeus , is circular , akin to the circular motion of men's souls and to the motion of the spheres . Sound ...
Seite 142
... motion by sound . He was not explicit about the nature of this motion except to say that air re- bounds from the object that is struck , and that it vibrates.10 Motion of sound in the air was often described , from ancient times through ...
... motion by sound . He was not explicit about the nature of this motion except to say that air re- bounds from the object that is struck , and that it vibrates.10 Motion of sound in the air was often described , from ancient times through ...
Seite 144
... motion of the body ... by the very motion of the subtill aire , it pierceth vehemently , and by contemplation sucketh sweetly.21 This idea , however , was given more materialistic interpre- tation long before Lodge wrote about Dowland ...
... motion of the body ... by the very motion of the subtill aire , it pierceth vehemently , and by contemplation sucketh sweetly.21 This idea , however , was given more materialistic interpre- tation long before Lodge wrote about Dowland ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote