Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 49
... later Bishop of Gloucester , described this state in The Fall of Man ( 1616 ) : " Yet it is not unknowne to Philosophie , that there is an extasis of the soule , wherein she is carried in a trance . . . while the body lies dead like a ...
... later Bishop of Gloucester , described this state in The Fall of Man ( 1616 ) : " Yet it is not unknowne to Philosophie , that there is an extasis of the soule , wherein she is carried in a trance . . . while the body lies dead like a ...
Seite 101
... later , in 1696 , John Newte claimed that " the Grace and Melody of ... Vocal and Instrumental Musicke together ... may in time melt us into Love . " John Norris , in the same decade , attempted to rescue theories of love and beauty as ...
... later , in 1696 , John Newte claimed that " the Grace and Melody of ... Vocal and Instrumental Musicke together ... may in time melt us into Love . " John Norris , in the same decade , attempted to rescue theories of love and beauty as ...
Seite 142
... later identified with spirits . " Sound itself , apart from air , has no physical effect ( a conviction shared by Francis Bacon ) , as Aristotle illustrated by what he understood to be the effect of thunder : " For neither light and ...
... later identified with spirits . " Sound itself , apart from air , has no physical effect ( a conviction shared by Francis Bacon ) , as Aristotle illustrated by what he understood to be the effect of thunder : " For neither light and ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote