Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 60
... followed the basic tradition of the patristic writers in his emphasis upon spiritual worship , and fre- quently quoted Justin Martyr on the use of instruments . Clement , Basil , St. Thomas , he said , had also condemned them . But for ...
... followed the basic tradition of the patristic writers in his emphasis upon spiritual worship , and fre- quently quoted Justin Martyr on the use of instruments . Clement , Basil , St. Thomas , he said , had also condemned them . But for ...
Seite 144
... followed not Ficinian psychology , but scholastic , a system more complicated than Ficino's . These theories re- sembled Aristotle's , but since they located only the sensitive soul in the heart , for feeling , the rational soul in the ...
... followed not Ficinian psychology , but scholastic , a system more complicated than Ficino's . These theories re- sembled Aristotle's , but since they located only the sensitive soul in the heart , for feeling , the rational soul in the ...
Seite 192
... followed Marino's solution for freeing the captive . Adonis , in order to recover his true shape , must return to the magi- cian's garden and bathe in a fountain there , dipping his wings seven times in the water . Free , then , he ...
... followed Marino's solution for freeing the captive . Adonis , in order to recover his true shape , must return to the magi- cian's garden and bathe in a fountain there , dipping his wings seven times in the water . Free , then , he ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote