Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
Im Buch
Ergebnisse 1-3 von 17
Seite 131
... composer to use ; it was the heart and soul of the music . Music would be left as body without soul , it was believed , if it were left “ without this most important and principal part . " " The poet was musician , not only ...
... composer to use ; it was the heart and soul of the music . Music would be left as body without soul , it was believed , if it were left “ without this most important and principal part . " " The poet was musician , not only ...
Seite 175
... composer . He later praised Henry Lawes ( the only composer whom he ever named ) for his setting , in monodic style , of Cartwright's imitation of Monteverdi's famous " Lamento " from the Arianna - Ariadne Deserted . The early sketches ...
... composer . He later praised Henry Lawes ( the only composer whom he ever named ) for his setting , in monodic style , of Cartwright's imitation of Monteverdi's famous " Lamento " from the Arianna - Ariadne Deserted . The early sketches ...
Seite 228
... composer of La morte d'Orfeo . Rospigliosi's Sant ' Alessio ( 1634 ) , Vita de Santa Teodora ( 1635 ) , and Erminia sul Giordano ( 1637 ) were performed in the new Palazzo Barberini , probably before the famous theater wing was ...
... composer of La morte d'Orfeo . Rospigliosi's Sant ' Alessio ( 1634 ) , Vita de Santa Teodora ( 1635 ) , and Erminia sul Giordano ( 1637 ) were performed in the new Palazzo Barberini , probably before the famous theater wing was ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote