Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 56
... century B.C. ) argued that music has no influence on the movements of the soul , that only words and actions have moral value.26 Skeptics , like Sextus Empiricus in the third century ( as Lactantius later ) , declared that music is ...
... century B.C. ) argued that music has no influence on the movements of the soul , that only words and actions have moral value.26 Skeptics , like Sextus Empiricus in the third century ( as Lactantius later ) , declared that music is ...
Seite 220
... century these evidences of classical usage to which he referred . When he went on to explain the stanzaic form of his choruses as being monostrophic— “ without regard had to Strophe , Anti- strophe or Epod " he wrote of stylistic ...
... century these evidences of classical usage to which he referred . When he went on to explain the stanzaic form of his choruses as being monostrophic— “ without regard had to Strophe , Anti- strophe or Epod " he wrote of stylistic ...
Seite 223
... century drama , a conflict in which Milton stood with the Greeks and - he said - with the Italians . 12 Many historians of the Italian theater report a similar disappearance of chorus . A modern critic , for example , de- clares ...
... century drama , a conflict in which Milton stood with the Greeks and - he said - with the Italians . 12 Many historians of the Italian theater report a similar disappearance of chorus . A modern critic , for example , de- clares ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote