Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 220
Gretchen Ludke Finney. CHAPTER XI Chorus in Samson Agonistes MIL ILTON wrote in his preface to Samson Agonistes ( 1671 ) that " Chorus is here introduc'd after the Greek manner , not antient only but modern , and still in use among the ...
Gretchen Ludke Finney. CHAPTER XI Chorus in Samson Agonistes MIL ILTON wrote in his preface to Samson Agonistes ( 1671 ) that " Chorus is here introduc'd after the Greek manner , not antient only but modern , and still in use among the ...
Seite 226
... Samson , and throughout the pursuant alternat- ing of solo dialogue with choral , there is striking similarity between the two works . Samson Agonistes is more weighted with meaning , but the common source is evident . In other ways ...
... Samson , and throughout the pursuant alternat- ing of solo dialogue with choral , there is striking similarity between the two works . Samson Agonistes is more weighted with meaning , but the common source is evident . In other ways ...
Seite 237
... Samson Agonistes , neither the theory and practice of music nor speculation about music remained the same as when he was born . " Modes " had been replaced by " keys " ; music and poetry existed as independent arts ... Samson Agonistes 237.
... Samson Agonistes , neither the theory and practice of music nor speculation about music remained the same as when he was born . " Modes " had been replaced by " keys " ; music and poetry existed as independent arts ... Samson Agonistes 237.
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote