Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 110
... Ficino avoided the idolatry inherent in Hermes ' state- ment . Demons and genii , like angels , were world spirit , but they were personalized world spirit , and because they were personalized , they were thought to have soul . Ficino ...
... Ficino avoided the idolatry inherent in Hermes ' state- ment . Demons and genii , like angels , were world spirit , but they were personalized world spirit , and because they were personalized , they were thought to have soul . Ficino ...
Seite 258
... Ficino's Commentary on Plato's Symposium , Third Speech , chap . I , and First Speech , chap III , pp . 148 , 128. Ficino's Commentarium in Convivium Platonis de amore first appeared in his translation of the works of Plato , the first ...
... Ficino's Commentary on Plato's Symposium , Third Speech , chap . I , and First Speech , chap III , pp . 148 , 128. Ficino's Commentarium in Convivium Platonis de amore first appeared in his translation of the works of Plato , the first ...
Seite 263
... Ficino to Campanella ( London , 1958 ) , chap . I. The present study is greatly indebted to this book for translations of Ficino and for sixteenth- century Italian background . 11. Marsilio Ficino , De vita , III.iii , III.xxi , Opera ...
... Ficino to Campanella ( London , 1958 ) , chap . I. The present study is greatly indebted to this book for translations of Ficino and for sixteenth- century Italian background . 11. Marsilio Ficino , De vita , III.iii , III.xxi , Opera ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote