Poetry and HumanismCape, 1950 - 335 Seiten The strength of the seventeenth-century writers lies in their power to meet a challenge which later religious poets evaded. Donne and his followers are humanists, alive to all new discoveries about the physical world and the nature of man; but they are theocentric humanists, able to reconcile these discoveries with the central tenets of their faith as Christians. This book attempts to trace this reintegration in the work of the Metaphysical poets and of Milton, and suggests that in this reintegration lies the real affinity between seventeenth-century poetry and the Baroque mode in the visual arts. |
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Seite 269
... emblem . Thus the first engraving in Drexelius's Zodiacus Christianus shows ' Cereus ardens , quo designatur Lux interna , quæ beneficia Dei , vanitatem mundi , vitæ brevitatem , peccatorum cœnum , voluptatum omnium vanescentes vmbras ...
... emblem . Thus the first engraving in Drexelius's Zodiacus Christianus shows ' Cereus ardens , quo designatur Lux interna , quæ beneficia Dei , vanitatem mundi , vitæ brevitatem , peccatorum cœnum , voluptatum omnium vanescentes vmbras ...
Seite 310
... emblem in Chapter 3 of Studies in Seventeenth - century Imagery . Herbert's relations to the emblem tradition are fully shown by Rose- mary Freeman in English Emblem Books , Chapter VI . 28. The Collected Poems of Sidney Keyes , p ...
... emblem in Chapter 3 of Studies in Seventeenth - century Imagery . Herbert's relations to the emblem tradition are fully shown by Rose- mary Freeman in English Emblem Books , Chapter VI . 28. The Collected Poems of Sidney Keyes , p ...
Seite 326
... emblem books . The nearest to it are the emblems of a German Jesuit , Daniel Cramer , whose Decades Quatuor Emblematum Sacrorum ( 1617 ) abound in plates showing the hand of God emerging from a cloud , exactly as it does in Vaughan's emblem ...
... emblem books . The nearest to it are the emblems of a German Jesuit , Daniel Cramer , whose Decades Quatuor Emblematum Sacrorum ( 1617 ) abound in plates showing the hand of God emerging from a cloud , exactly as it does in Vaughan's emblem ...
Inhalt
PREFACE | 7 |
TWO ANGLICAN POETS | 22 |
MARLOWES HEROES | 54 |
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angels artists Barabas Baroque art beauty body centre century Christ Christian Christina Rossetti Church conflict creation creatures death desire despair devotional Divine Donne's E. M. W. Tillyard earth echo Eighty Sermons Elegie Elizabethan emblem emblem books English epic eternity experience expression faith Fall fame Faustus Faustus's feeling fire glory God's hath heart Heaven heavenly Hell Henry Vaughan Herbert hero heroic human humanist Ibid idea Ignatius his Conclave imagery imagination intellectual Jesuit John Donne knowledge light Lord man's Mannerist Marlowe Marlowe's medieval metaphysical Milton mind nature Oxford Movement Paradise Lost Paradise Regain'd passage perfect philosophy physical poem poetry pride prose Raphael reason reintegration religious poets Renaissance rest Samson Satan sense seventeenth seventeenth-century Silex Scintillans Sonnet soul spirit stanza suggest Sunne symbol Tamburlaine thee theme theocentric things Thomas Vaughan thou thought tion Tractarians Traherne true verse words writings