Contemporary Fiction and Christianity
Bloomsbury Academic, 20.02.2008 - 168 Seiten
How does contemporary fiction engage with the claims and ideas of Christian theology? Can 'secular fictions' accommodate transcendent experiences or encounters with the divine? Does belief continue to influence the shape of fiction in any meaningful way? This study argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. It suggests that the novel, as a major narrative genre of contemporary western culture, has become an increasingly vital, dynamic and problematic space for engaging with the sacred. Andrew Tate examines the work of more than a dozen contemporary Anglo-American novelists, including John Updike, Douglas Coupland, John Irving, Toni Morrison, Ian McEwan and Salman Rushdie. He shows how the 'sacred turn' in western culture is manifested within the novel from the 1980s to the present, paying particular attention to representations of such theological ideas as the miraculous, the heretical, the apocalyptic and the messianic.
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