The Plays of William Shakspeare: With the Corrections and Illustrations of Various Commentators, to which are Added Notes, Band 1J. Johnson, 1803 |
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... use of it , but most obligingly took care , by their own im- mediate fuperintendance , that as much juftice fhould be done to our engraving , as to their own . 3 See p . 4 . PREFACE ΤΟ MR . RICHARDSON'S PROPOSALS , & c . B2 ...
... use of it , but most obligingly took care , by their own im- mediate fuperintendance , that as much juftice fhould be done to our engraving , as to their own . 3 See p . 4 . PREFACE ΤΟ MR . RICHARDSON'S PROPOSALS , & c . B2 ...
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... use and value of them ; fince to a coarse engraving by a second - rate artist , 9 the publick is indebted for the recovery of the only genuine portrait of its favourite Shakspeare . PROPOSALS BY WILLIAM RICHARDSON , PRINTSELLER , CASTLE ...
... use and value of them ; fince to a coarse engraving by a second - rate artist , 9 the publick is indebted for the recovery of the only genuine portrait of its favourite Shakspeare . PROPOSALS BY WILLIAM RICHARDSON , PRINTSELLER , CASTLE ...
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... use him as he has ufed the Tinker in The Taming of a Shrew , ―to re - clothe him in his priftine rags ? To affemble parallels in fupport of all these deformities , is no infuperable labour ; for if we are permitted to avail ourselves of ...
... use him as he has ufed the Tinker in The Taming of a Shrew , ―to re - clothe him in his priftine rags ? To affemble parallels in fupport of all these deformities , is no infuperable labour ; for if we are permitted to avail ourselves of ...
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... use of antiquarian or critical travellers , to whom a jolt over a rugged pavement may be more delectable than an easy paf- fage over a smooth one , though they both conduct to the fame object . To a reader unconverfant with the licenses ...
... use of antiquarian or critical travellers , to whom a jolt over a rugged pavement may be more delectable than an easy paf- fage over a smooth one , though they both conduct to the fame object . To a reader unconverfant with the licenses ...
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... use , but in no cafe to let it out for any usury at all . ' MALONE . 1 He died in the 53d year of his age , ] He died on his birth- day , April 23 , 1616 , and had exactly completed his fifty - second year . From Du Cange's Perpetual ...
... use , but in no cafe to let it out for any usury at all . ' MALONE . 1 He died in the 53d year of his age , ] He died on his birth- day , April 23 , 1616 , and had exactly completed his fifty - second year . From Du Cange's Perpetual ...
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affert againſt alfo almoſt alſo ancient appears baptized becauſe beſt cenfure circumftance comedy copies criticiſm criticks daughter defign defire dramatick Droefhout edition editor Engliſh engraving faid fame fatire fays fecond folio feems fenfe feven feveral fhall fhould fhow fince firft firſt fome fometimes ftage ftand ftill fubject fuch fufficient fuppofe fure Hart hath Henry himſelf houſe iffue impreffion inftance inftead John John Barnard Jonfon juft King laft laſt leaft leaſt lefs loft MALONE moft moſt muft muſt neceffary obfcure obferved occafion Othello paffages perfon players plays pleaſe pleaſure poet poet's Pope portrait praiſe prefent preferved printed profe publick publiſhed purpoſe quarto reader reafon refpect Regifter reſemblance Richard III Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſhall ſome ſtate STEEVENS Stratford Stratford-upon-Avon thefe themſelves theſe thofe Thomas Thomas Quiney thoſe tion Titus Andronicus tragedy uſe Welcombe whofe whoſe William writer
Beliebte Passagen
Seite 480 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Seite 249 - In the writings of other poets a character is too often an individual ; in those of Shakespeare it is commonly a species.
Seite 305 - I have always suspected that the reading is right, which requires many words to prove it wrong ; and the emendation wrong, that cannot without so much labour appear to be right.
Seite 265 - A quibble is to Shakespeare what luminous vapours are to the traveller : he follows it at all adventures ; it is sure to lead him out of his way, and sure to engulf him in the mire.
Seite 251 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Seite 282 - ... whether from all his successors more maxims of theoretical knowledge, or more rules of practical prudence, can be collected, than he alone has given to his country.
Seite 257 - Fiction cannot move so much, but that the attention may be easily transferred ; and though it must be allowed that pleasing melancholy be sometimes interrupted by unwelcome levity, yet let it be considered likewise, that melancholy is often not pleasing, and that the disturbance of one man may be the relief of another ; that different auditors have different habitudes ; and that, upon the whole, all pleasure consists in variety.
Seite 248 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest ; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Seite 250 - To bring a lover, a lady, and a rival into the fable; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture and part in agony; to fill their mouths with hyperbolical joy and outrageous sorrow; to distress them as nothing...
Seite 248 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.