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" On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration which she raises in others. "
Paulding's Works: Salmagundi; or, The whim-whams and opinions of Launcelot ... - Seite 182
von James Kirke Paulding - 1835
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Miscellanies, Moral and Instructive, in Prose and Verse

1787 - 430 Seiten
...receives no addition from multitudes of witnefles and fpeftators. On the contrary, falfe happinefs loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any fatisfaftion from the applaufes which me. gives herfelf, but from the admiration...
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The Spectator. ...

1789 - 508 Seiten
...itfelf, and receives on- addition from multitudes of witnefles and fpectators. On the contrary, Falfe HAPPINESS loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any fatisfa&ion from the applaufes which me gives herfelf, but from the admiration...
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Select British Classics, Band 11

1803 - 434 Seiten
...thing it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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The Spectator: In Eight Volumes. : Vol. I[-VIII].

1803 - 420 Seiten
...thing it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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The British Essayists, Band 6

Alexander Chalmers - 1808 - 416 Seiten
...tiiing it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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The Works of the Right Honourable Joseph Addison, Band 3

Joseph Addison - 1811 - 508 Seiten
...receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness lores to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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The Spectator

Joseph Addison, Richard Hurd - 1811 - 504 Seiten
...receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness lores to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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The Columbian Reader: Comprising a New and Various Selection of Elegant ...

Rodolphus Dickinson - 1815 - 214 Seiten
...thing it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses she gives herself, but from the admiration...
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The Spectator [by J. Addison and others]: with sketches of the lives of the ...

Spectator The - 1816 - 348 Seiten
...it wants within itself, and receives no addition from multitudes of witnesses and spectators. On 4he contrary, False Happiness loves to be in a crowd, and to draw th^ eyes of the world upon her. She does not receive any satisfaction from the applauses which she...
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The British essayists; to which are prefixed prefaces by J. Ferguson, Band 37

British essayists - 1819 - 370 Seiten
...thing it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration...
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