Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 Seiten This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Seite 111
... society by taking normal society and adding the word ' no ' ; his speech is a catalogue of nouns evoking the social world . Besides the obvious irony ( which Antonio and Sebastian are quick to point out ) that this free society depends ...
... society by taking normal society and adding the word ' no ' ; his speech is a catalogue of nouns evoking the social world . Besides the obvious irony ( which Antonio and Sebastian are quick to point out ) that this free society depends ...
Seite 177
... society together , embodied in the Cynthia of Endymion and touched on in the James of Bartholomew Fair's epilogue , is no longer viable . The estates of society are in confict , the court is just one of those estates , and unless they ...
... society together , embodied in the Cynthia of Endymion and touched on in the James of Bartholomew Fair's epilogue , is no longer viable . The estates of society are in confict , the court is just one of those estates , and unless they ...
Seite 179
... society are relaxed but a mirror of that society , as prostitution and the London marriage market look disconcertingly alike . The beggars of A Jovial Crew similarly reflect the society they appear to have escaped : all the estates of ...
... society are relaxed but a mirror of that society , as prostitution and the London marriage market look disconcertingly alike . The beggars of A Jovial Crew similarly reflect the society they appear to have escaped : all the estates of ...
Inhalt
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Altofront Antonio Aretina Ariel audience Aurelia authority Bacon and Friar Bartholomew Fair beggars Ben Jonson Bornwell Bungay Caliban Celestina centre characters claims comic Country Wench court courtiers Cynthia Demetrius devil Dipsas disguise Drama Duke Egeus Elizabeth Elizabethan Endymion English Renaissance Eumenides fairies Ferdinand Friar Bacon Friar Bungay gives Greene's Helena Hell Hermia Hippolyta identity imagine John Lyly John Marston Jonson Kickshaw King Lacy lady Lady of Pleasure land Lethe London lord lovers Lyly Lyly's Lysander magic Malcontent Malevole Margaret marriage Marston masque Mendoza Michaelmas Term Middleton Midsummer Night's Dream Miranda moon Oberon Oldrents performance Pietro play play's playhouse political Prospero puppet Pyramus and Thisbe Quarlous Queen Quomodo recalls relationship Renaissance comedy role satire scene seems sense sexual Shakespeare Shortyard sleep social society speech spirits stage Stephano suggests tells Tellus Tempest theatre thee Theseus thou Titania tradition Trinculo Ursula watch Winwife women