Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 Seiten This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Seite 97
... identity , judgement - should be either suspended or parodied . Having denied their own identities , they are denied any return to moral or personal reality . Easy , on the other hand , is involved in an elaborately developed plot . His ...
... identity , judgement - should be either suspended or parodied . Having denied their own identities , they are denied any return to moral or personal reality . Easy , on the other hand , is involved in an elaborately developed plot . His ...
Seite 141
... identity : once it is gone he does not know who he is . As Quomodo's identity is the accumulation of his deeds , Cokes's identity is an accumulation of junk , and of people listed as junk . There is no essential Cokes , merely a blank ...
... identity : once it is gone he does not know who he is . As Quomodo's identity is the accumulation of his deeds , Cokes's identity is an accumulation of junk , and of people listed as junk . There is no essential Cokes , merely a blank ...
Seite 180
... identities as a means of power . The disguised hero of The Malcontent is an unstable mix of Malevole and Altofront and his ' real ' identity seems more shadowy than his adopted one . Having gained his will through illusions , Quomodo ...
... identities as a means of power . The disguised hero of The Malcontent is an unstable mix of Malevole and Altofront and his ' real ' identity seems more shadowy than his adopted one . Having gained his will through illusions , Quomodo ...
Inhalt
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Urheberrecht | |
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