Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 Seiten This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
Im Buch
Ergebnisse 1-3 von 31
Seite 72
... Malcontent was written sometime in the transition between two reigns . It can be dated as early as 1602 or as late as 1604 ; 4 Elizabeth died , and James succeeded her , in 1603. The play reflects a certain anxiety about governance ...
... Malcontent was written sometime in the transition between two reigns . It can be dated as early as 1602 or as late as 1604 ; 4 Elizabeth died , and James succeeded her , in 1603. The play reflects a certain anxiety about governance ...
Seite 77
... malcontent , that ' gainst his fate / Repines and quarrels alas , he's goodman tell - clock ! ' ( 3.2.11–12 ) .8 Reporting to Celso , who knows his secret , he sees the disorder of the court as an opportunity for both his characters ...
... malcontent , that ' gainst his fate / Repines and quarrels alas , he's goodman tell - clock ! ' ( 3.2.11–12 ) .8 Reporting to Celso , who knows his secret , he sees the disorder of the court as an opportunity for both his characters ...
Seite 87
... Malcontent and " Dreams , Visions , Fantasies " , Essays in Criticism , XXIV , 1974 , 269 . 7 Lloyd Davis has noted that in this play male anxiety about political instability is transformed into attacks on female inconstancy : Guise and ...
... Malcontent and " Dreams , Visions , Fantasies " , Essays in Criticism , XXIV , 1974 , 269 . 7 Lloyd Davis has noted that in this play male anxiety about political instability is transformed into attacks on female inconstancy : Guise and ...
Inhalt
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Altofront Antonio Aretina Ariel audience Aurelia authority Bacon and Friar Bartholomew Fair beggars Ben Jonson Bornwell Bungay Caliban Celestina centre characters claims comic Country Wench court courtiers Cynthia Demetrius devil Dipsas disguise Drama Duke Egeus Elizabeth Elizabethan Endymion English Renaissance Eumenides fairies Ferdinand Friar Bacon Friar Bungay gives Greene's Helena Hell Hermia Hippolyta identity imagine John Lyly John Marston Jonson Kickshaw King Lacy lady Lady of Pleasure land Lethe London lord lovers Lyly Lyly's Lysander magic Malcontent Malevole Margaret marriage Marston masque Mendoza Michaelmas Term Middleton Midsummer Night's Dream Miranda moon Oberon Oldrents performance Pietro play play's playhouse political Prospero puppet Pyramus and Thisbe Quarlous Queen Quomodo recalls relationship Renaissance comedy role satire scene seems sense sexual Shakespeare Shortyard sleep social society speech spirits stage Stephano suggests tells Tellus Tempest theatre thee Theseus thou Titania tradition Trinculo Ursula watch Winwife women