Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 Seiten This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Seite 122
... Caliban goes on to describe a lost community of mutual support and co - operation . He taught the newcomers about the island , and they taught him the names and uses of things ( though he has either forgotten the words ' sun ' and ...
... Caliban goes on to describe a lost community of mutual support and co - operation . He taught the newcomers about the island , and they taught him the names and uses of things ( though he has either forgotten the words ' sun ' and ...
Seite 123
... Caliban and Miranda , as her initiation of his mind is met with his attempted initiation of her body . Miranda conveys what she did for Caliban : When thou didst not , savage , Know thine own meaning , but wouldst gabble like A thing ...
... Caliban and Miranda , as her initiation of his mind is met with his attempted initiation of her body . Miranda conveys what she did for Caliban : When thou didst not , savage , Know thine own meaning , but wouldst gabble like A thing ...
Seite 127
... Caliban words . Here the gap closes instantly . His marriage proposal , which comes only a few lines later , makes her virginity the only condition ( 1.2.448–50 ) . His frankness makes him seem as direct as Caliban , but unlike Caliban ...
... Caliban words . Here the gap closes instantly . His marriage proposal , which comes only a few lines later , makes her virginity the only condition ( 1.2.448–50 ) . His frankness makes him seem as direct as Caliban , but unlike Caliban ...
Inhalt
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Urheberrecht | |
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actors Altofront Antonio Aretina Ariel audience Aurelia authority Bacon and Friar Bartholomew Fair beggars Ben Jonson Bornwell Bungay Caliban Celestina centre characters claims comic Country Wench court courtiers Cynthia Demetrius devil Dipsas disguise Drama Duke Egeus Elizabeth Elizabethan Endymion English Renaissance Eumenides fairies Ferdinand Friar Bacon Friar Bungay gives Greene's Helena Hell Hermia Hippolyta identity imagine John Lyly John Marston Jonson Kickshaw King Lacy lady Lady of Pleasure land Lethe London lord lovers Lyly Lyly's Lysander magic Malcontent Malevole Margaret marriage Marston masque Mendoza Michaelmas Term Middleton Midsummer Night's Dream Miranda moon Oberon Oldrents performance Pietro play play's playhouse political Prospero puppet Pyramus and Thisbe Quarlous Queen Quomodo recalls relationship Renaissance comedy role satire scene seems sense sexual Shakespeare Shortyard sleep social society speech spirits stage Stephano suggests tells Tellus Tempest theatre thee Theseus thou Titania tradition Trinculo Ursula watch Winwife women