Yale Studies in English, Band 74Lamson, Wolffe and Company, 1927 - 144 Seiten |
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Seite 41
... earliest morality - plays to see a number of localities ( represented by the sedes ) on one scene of action , the Eng- lish dramatists continued to utilize this freedom when the indoor Life and Poems of Richard Edwards 41.
... earliest morality - plays to see a number of localities ( represented by the sedes ) on one scene of action , the Eng- lish dramatists continued to utilize this freedom when the indoor Life and Poems of Richard Edwards 41.
Seite 42
... real stage - illusion , for there 30 * L. R. Merrill , Life and Poems of Nicholas Grimald ( Yale Studies in English , 1925 ) , p . 109 . is no interior action . Palamon and Arcite requires a 42 Life and Poems of Richard Edwards.
... real stage - illusion , for there 30 * L. R. Merrill , Life and Poems of Nicholas Grimald ( Yale Studies in English , 1925 ) , p . 109 . is no interior action . Palamon and Arcite requires a 42 Life and Poems of Richard Edwards.
Seite 43
Leicester Bradner. is no interior action . Palamon and Arcite requires a tower , with a garden below it , and a forest . Here , although both places are in or near Athens , there is no illusion . But , in such plays as Horestes and the ...
Leicester Bradner. is no interior action . Palamon and Arcite requires a tower , with a garden below it , and a forest . Here , although both places are in or near Athens , there is no illusion . But , in such plays as Horestes and the ...
Seite 44
... action and from the items in the above quotation , I should say that Mr. Graves is quite right in assuming that the setting of the play was the city of Syracuse on one side , and the palace of Dionysius on the other . Judging from the ...
... action and from the items in the above quotation , I should say that Mr. Graves is quite right in assuming that the setting of the play was the city of Syracuse on one side , and the palace of Dionysius on the other . Judging from the ...
Seite 47
... action jumps blithely from the complete inactivity of Gor- boduc to the striking off of heads in view of the audience in Cambises . The result is that in this limbo of material it is much easier to point out certain major influences ...
... action jumps blithely from the complete inactivity of Gor- boduc to the striking off of heads in view of the audience in Cambises . The result is that in this limbo of material it is much easier to point out certain major influences ...
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Amantium Iræ Aristippus audience Ben Jonson Brydges Carisophus Chapel Royal Chapter Chaucer Christ Church College comedy contemporaries court court-plays courtier Damon and Pithias daye Dayntie Deuises death deedes Dionysius doth E. K. Chambers eche edited with Introduction Elizabeth Elizabeth's reign Elizabethan Elizabethan Stage Elyot's Emilia English Drama Eubulus F. S. Boas Feuillerat Finis friends Gascoigne Glossary Googe Gorboduc graunt harte hath haue Ibid Jonson ladies Latin Line literary London lorde loue Mary Mary's moral neuer Nicholas Grimald nidden Notes ottava rima Oxford Palamon and Arcite Paradise of Dayntie Ph.D Plautus play plot poems poet poetry popular poulter's couplets praise produced Queen record rhyme royal Richard Edwards saie scene seems sone song speeches stanza thee thou tion Titus A xxiv Tottel's Miscellany tragedy Tudor Age tyme University Drama verse W. Y. Durand William Hunnis wisedome woordes writers WYLL