Merchant of Venice |
Im Buch
Ergebnisse 1-5 von 32
Seite 89
Greene , who had himself written a good deal for the stage , there squibs someone as being , “ in his own conceit , the only Shake - scene in a country . ” There is no doubt that this refers to Shakespeare ; and some of the terms ...
Greene , who had himself written a good deal for the stage , there squibs someone as being , “ in his own conceit , the only Shake - scene in a country . ” There is no doubt that this refers to Shakespeare ; and some of the terms ...
Seite 91
An odd coinmentary on this proceeding is furnished by a passage in King Lear , Act iii . scene 6 , where the Fool says to the old King , - “ He's a mad yeoman that sees his son a gentleman before him . ” The Poet's father was buried at ...
An odd coinmentary on this proceeding is furnished by a passage in King Lear , Act iii . scene 6 , where the Fool says to the old King , - “ He's a mad yeoman that sees his son a gentleman before him . ” The Poet's father was buried at ...
Seite 95
... Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth , or since did from their ashes come . Triumph , my Britain ! thou hast one to show , To whom all scenes of Europe homage owe .
... Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth , or since did from their ashes come . Triumph , my Britain ! thou hast one to show , To whom all scenes of Europe homage owe .
Seite 97
That exception is in Act iii . scene 2 , where all the old copies have “ the beauteous scarf veiling an Indian beauty . ” My own judgment of the passage is given in a note . A few varieties of reading are noted in the margin .
That exception is in Act iii . scene 2 , where all the old copies have “ the beauteous scarf veiling an Indian beauty . ” My own judgment of the passage is given in a note . A few varieties of reading are noted in the margin .
Seite 98
This is effected in a special manner by the scenes at Portia's country - seat , which transport the spectator into quite ... The judgment - scene , with which the Fourth Act is occupied , is in itself a perfect drama , concentrating in ...
This is effected in a special manner by the scenes at Portia's country - seat , which transport the spectator into quite ... The judgment - scene , with which the Fourth Act is occupied , is in itself a perfect drama , concentrating in ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Häufige Begriffe und Wortgruppen
Antonio appears Bass Bassanio better bond called casket choose Christian comes common copies daughter Devil doth ducats Duke Enter Exeunt eyes fair faith father fear flesh fool fortune give gold grace Gratiano half hand hast hath head hear heart Heaven Henry hold honour I'll interest Italy Jess Jessica judge judgment justice King known lady Laun Launcelot learned leave live look lord Lorenzo master means Merchant mind nature Nerissa never night offer Perhaps play Poet Poet's Portia pray present Prince printed probably quarto ring scene sense Servant Shakespeare Shylock soul speak stand sweet tell thee thing thou thought thousand true turn Venice wife young
Beliebte Passagen
Seite 99 - In sooth, I know not why I am so sad : It wearies me ; you say it wearies you ; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me. That I have much ado to know myself.
Seite 90 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Seite 109 - I will buy with you, sell with you, talk with you, walk with you, and so following ; but I will not eat with you, drink with you, nor pray with you.
Seite 96 - Triumph, my Britain! Thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time...
Seite 112 - Shylock, we would have moneys : ' you say so ; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold : moneys is your suit. What should I say to you ? Should I not say ' Hath a dog money ? is it possible A cur can lend three thousand ducats...
Seite 103 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Seite 141 - You see me, Lord Bassanio, where I stand, Such as I am: though for myself alone I would not be ambitious in my wish To wish myself much better, yet for you I would be trebled twenty times myself, A thousand times more fair, ten thousand times More rich; That only to stand high in your account, I might in virtues, beauties, livings, friends, Exceed account.
Seite 157 - I will be bound to pay it ten times o'er, On forfeit of my hands, my head, my heart : If this will not suffice, it must appear That malice bears down truth. And I beseech you, Wrest once the law to your authority : To do a great right, do a little wrong ; And curb this cruel devil of his will.
Seite 156 - When mercy seasons justice. Therefore, Jew, Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy. I have spoke thus much To mitigate the justice of thy plea; Which if thou follow, this strict court of Venice Must needs give sentence 'gainst the merchant there. SHY. My deeds upon my head! I crave the law, The penalty and forfeit of my bond.
Seite 95 - To draw no envy (Shakespeare) on thy name, Am I thus ample to thy book, and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much...
Bibliografische Informationen
| Titel | Merchant of Venice Ausgabe 1 von Plays of Shakespeare, selected and prepared for use in schools |
| Autor/in | William Shakespeare |
| Mitwirkende Personen | Henry Norman Hudson |
| Verlag | Ginn brothers, 1872 |
| Original von | Harvard University |
| Digitalisiert | 26. März 2008 |
| Länge | 172 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |