Shakespeare's Theory of DramaWhy did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do--and why? Kiernan opens a new area of debate in showing that Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This lively, readable, but scholarly examination of works from different stages of the dramatist's career explores what Shakespeare wanted his drama to do and why. |
Im Buch
Ergebnisse 1-5 von 5
Seite 210
London : Edward Arnold , 1969 . Busch , Wilhelm . England under the Tudors :
King Henry VII . Translated by Alice M. Todd . London : A. D. Innes , 1895 .
Calderwood , James L. To Be and Not To Be : Negation and Metadrama in '
Hamleť .
London : Edward Arnold , 1969 . Busch , Wilhelm . England under the Tudors :
King Henry VII . Translated by Alice M. Todd . London : A. D. Innes , 1895 .
Calderwood , James L. To Be and Not To Be : Negation and Metadrama in '
Hamleť .
Seite 211
London , 1582 . Greene , Thomas M. The Light in Troy : Imitation and Discovery
in Renaissance Poetry . New Haven and London : Yale University Press , 1982 .
Gruber , William E. ' The actor in the script : affective strategies in Shakespeare's
...
London , 1582 . Greene , Thomas M. The Light in Troy : Imitation and Discovery
in Renaissance Poetry . New Haven and London : Yale University Press , 1982 .
Gruber , William E. ' The actor in the script : affective strategies in Shakespeare's
...
Seite 212
London : Methuen , 1958 ; repr . 1980 . Kernan , Alvin B. The Playwright as
Magician : Shakespeare's Image of the Poet in the English Public Theater . New
Haven and London : Yale University Press , 1979 . Knights , L. C. ' How many
children ...
London : Methuen , 1958 ; repr . 1980 . Kernan , Alvin B. The Playwright as
Magician : Shakespeare's Image of the Poet in the English Public Theater . New
Haven and London : Yale University Press , 1979 . Knights , L. C. ' How many
children ...
Seite 213
London and New York : Methuen , 1983 . Oliver , H. J. Ed . Arden Edition of
Shakespeare's Timon of Athens . 3rd edn . London : Methuen , 1959 ; repr . 1979
. ... New Haven and London : Yale University Press , 1967 . Onions , C.T. A ...
London and New York : Methuen , 1983 . Oliver , H. J. Ed . Arden Edition of
Shakespeare's Timon of Athens . 3rd edn . London : Methuen , 1959 ; repr . 1979
. ... New Haven and London : Yale University Press , 1967 . Onions , C.T. A ...
Seite 214
-The Philosophie , Commonlie Called , The Morals written by the learned
Philosopher Plutarch of Chaeronea . Translated by Philemon Holland . London :
Arnold Hatfield , 1603 . Prince , F. T. Ed . Arden Edition of Shakespeare's The
Poems .
-The Philosophie , Commonlie Called , The Morals written by the learned
Philosopher Plutarch of Chaeronea . Translated by Philemon Holland . London :
Arnold Hatfield , 1603 . Prince , F. T. Ed . Arden Edition of Shakespeare's The
Poems .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 1 |
Shakespeare and Sidney Two worlds the brazen and the golden | 6 |
Shakespeare and Ovid What strained touches rhetoric can lend poetry metamorphosed in Venus and Adonis and the Sonnets | 21 |
In scorn of nature art gave lifeless life exposing arts sterility The Rape of Lucrece The Winters Tale and The Tempest | 59 |
Oerwrested seeming dramatic illusion and the repudiation of mimesis Loves Labours Lost A Midsummer Nights Dream and Hamlet | 91 |
Thy registers and thee I both defy history challenged Richard III Henry VIII Henry V and Richard II | 127 |
Antony and Cleopatra as A Defence of Drama | 154 |
Notes | 191 |
| 209 | |
| 216 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor actual Adonis Antony argue asks attempt audience becomes begin believe blood body breath bring calls character Cleopatra comes concern created criticism death describes drama dramatist earth effect emphasis examine example explore eyes false fiction flesh flowers give given happened Henry human idea identity illusion imagine imitation insistence interpretation King language literary living London look lost matter means Metamorphoses mimetic move nature nature's never original Ovid Ovid's painting past performance physical play poem poet poetic poetry present question reading reality record remind Renaissance representation rhetoric Richard Rome says scene seems seen sense shadows Shakespeare significance Sonnet speak spectators speech stage statue story suggest tell texts theatre theory things tion told true truth turned University Press Venus Venus and Adonis writes written
Verweise auf dieses Buch
Bibliografische Informationen
| Titel | Shakespeare's Theory of Drama |
| Autor/in | Pauline Kiernan |
| Ausgabe | illustriert, Neuauflage, überarbeitet |
| Verlag | Cambridge University Press, 1998 |
| ISBN | 0521633583, 9780521633581 |
| Länge | 218 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |