Shakespearean CriticismJoseph C. Tardiff Cengage Gale, 1994 - 450 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 173
... lines were cut and the result , of course , was a much more swiftly moving play than the reading text affords . " In the Folger Shakespeare Library are two documents which give us some knowledge of Garrick's production of King John ...
... lines were cut and the result , of course , was a much more swiftly moving play than the reading text affords . " In the Folger Shakespeare Library are two documents which give us some knowledge of Garrick's production of King John ...
Seite 348
... lines which Richard speaks , but the part of Richard is obviously more traumatic to both players . Both started with Richard as a basis when they rehearsed for the new Stratford produc- tion . PASCO : Ian was wonderful - he made the ...
... lines which Richard speaks , but the part of Richard is obviously more traumatic to both players . Both started with Richard as a basis when they rehearsed for the new Stratford produc- tion . PASCO : Ian was wonderful - he made the ...
Seite 354
... lines instead of " acting " them . The wooden- ness was unsettling at first , but when one realized the mo- tive behind the ritualistic style , the discomfort vanished . The actors were alienated from the text because their lines are ...
... lines instead of " acting " them . The wooden- ness was unsettling at first , but when one realized the mo- tive behind the ritualistic style , the discomfort vanished . The actors were alienated from the text because their lines are ...
Inhalt
Henry VIII | 64 |
King John | 159 |
Richard II | 254 |
Urheberrecht | |
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acting action actor actress admirable Arthur audience Aumerle Barton Bastard beautiful Bolingbroke Booth Buckingham Cardinal character Charles Kean Cibber Constance costumes court critic crown David death director dramatic Drury Lane Duke Edmund Kean Edward effect Elizabethan England English essay date feeling Festival Flint Castle Garden Garrick Gaunt Gielgud Gloucester Henry VI Henry VIII Hubert Ian Richardson Irving John Barton's John Gielgud John of Gaunt John's Katherine Kean's Kemble King Henry King John King Richard King's Lady lines London look Lord Macready mance Margaret ment never noble Old Vic Pasco Peggy Ashcroft performance Peter play's political portrayal praise present production of Henry Queen review date revival Richard Pasco Richardson role Royal Shakespeare Royal Shakespeare Company scene seems Shake sion speare's speech stage Stratford Stratford-upon-Avon Suffolk Terry Hands Theatre theatrical throne tion tragedy trilogy William Wolsey Wolsey's words York