The Lycidas and Epitaphium Damonis of Milton, ed. with notes and intr. by C.S. Jerram, Ausgabe 7121874 |
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Seite 14
... described . The principal points to be observed are ' simplicity , brevity , and delicacy . ' ' The fable simple , the manners not too polite nor too rustic , the thoughts plain - the expression humble , yet as pure as the language will ...
... described . The principal points to be observed are ' simplicity , brevity , and delicacy . ' ' The fable simple , the manners not too polite nor too rustic , the thoughts plain - the expression humble , yet as pure as the language will ...
Seite 17
... described actual facts of rural life and in homely language ; but the kind of rural life Theocritus had to describe was very different from that which came under the notice of Gay . Thou wilt not find my shepherdesses idly piping on ...
... described actual facts of rural life and in homely language ; but the kind of rural life Theocritus had to describe was very different from that which came under the notice of Gay . Thou wilt not find my shepherdesses idly piping on ...
Seite 22
... described as an allegoric pastoral representing College life and friendship , and is cast mainly in the form of Greek and Latin pastorals , though the scenery is transferred to the British isles . Nowhere is the student brought in as ...
... described as an allegoric pastoral representing College life and friendship , and is cast mainly in the form of Greek and Latin pastorals , though the scenery is transferred to the British isles . Nowhere is the student brought in as ...
Seite 34
... described as sojourning Tusca in urbe , i.e. at Florence , where Milton was actually staying at the time for literary purposes - ' animi causa ' as the Argument expresses it . As a shepherd he would have no business 34 INTRODUCTION .
... described as sojourning Tusca in urbe , i.e. at Florence , where Milton was actually staying at the time for literary purposes - ' animi causa ' as the Argument expresses it . As a shepherd he would have no business 34 INTRODUCTION .
Seite 35
... described in Scriptural language , which is in the last line curiously varied by a Pagan but not distinctively pastoral metaphor - bacchantur ' - ' orgia'— ' thyrso . ' The scene is laid in England , as appears from the mention of the ...
... described in Scriptural language , which is in the last line curiously varied by a Pagan but not distinctively pastoral metaphor - bacchantur ' - ' orgia'— ' thyrso . ' The scene is laid in England , as appears from the mention of the ...
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Häufige Begriffe und Wortgruppen
agni allusion bleating Church Comus criticism crost Your hapless Damon Daphnis death derivation Diodati domino jam domum impasti Drayton Eclogue edition Elegy English Epit Epitaphium Damonis epithet expression Faery Queen Fame flock foll fortune crost Go unpastured Gorlois Greek hæc hapless master Hence Il Penseroso imitated Italian jam non vacat Keightley King L'Allegro lambs language Latin letter lines lost Low Latin Lycidas master now heeds meaning mihi Milton monody Mopsus Moschus Muse Newton nunc nymphs oaten original Ovid passage pastoral poetry pipe poem poet poetical probably Professor Masson Puritan Purple Island quæ quid quoque quotes reference remarks Return unfed rime Samuel Boyse says sense Shaksp Shakspere shepherds sing song speaks Spen Spenser swain thee Theocritus thou Thyrsis tibi tion Todd translation ulmo verb verse Virg Virgil Warton word
Beliebte Passagen
Seite 88 - Where the great Vision of the guarded mount Looks toward Namancos and Bayona's hold. Look homeward, Angel, now, and melt with ruth: And, O ye dolphins, waft the hapless youth.
Seite 67 - Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
Seite 92 - Through the dear might of him that walked the waves. Where other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
Seite 54 - We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening, bright, Toward heaven's descent had sloped his westering wheel.
Seite 91 - Weep no more, woeful shepherds, weep no more; For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
Seite 76 - Return, Alpheus, the dread voice is past That shrunk thy streams ; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells, and flowerets of a thousand hues. Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers, And purple all the ground with vernal flowers.
Seite 49 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
Seite 65 - Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
Seite 78 - O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath ; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Seite 56 - Tempered to the oaten flute, Rough satyrs danced, and fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song. But O the heavy change, now thou art gone, Now thou art gone, and never must return!