Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 29Gale Research Company, 1984 - 421 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. The plays, theme or focus of this volume include: Magic and the supernatural, Macbeth, A midsummer night's dream, and The tempest. - Publisher. |
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Seite 1
... seen by modern scholars as having mediated between the spe- cialized , philosophical theories of magic and the super- natural beliefs of the popular tradition . During the Renaissance , the question of magic was insep- arably linked ...
... seen by modern scholars as having mediated between the spe- cialized , philosophical theories of magic and the super- natural beliefs of the popular tradition . During the Renaissance , the question of magic was insep- arably linked ...
Seite 11
... seen in a character like Spenser's Archimago . Far from infallible , Archimago constantly reveals human weaknesses , despite his considerable magical ability . Having created the false Una , for example , " The maker selfe [ Archimago ] ...
... seen in a character like Spenser's Archimago . Far from infallible , Archimago constantly reveals human weaknesses , despite his considerable magical ability . Having created the false Una , for example , " The maker selfe [ Archimago ] ...
Seite 131
... seen Macbeth tempted by the witches and have just heard him admit his ambition . She insists on her definition of manhood as cruel , fearless , active , consistent , and brave in behalf of which she has . sought to " unsex " herself ...
... seen Macbeth tempted by the witches and have just heard him admit his ambition . She insists on her definition of manhood as cruel , fearless , active , consistent , and brave in behalf of which she has . sought to " unsex " herself ...
Inhalt
Magic and the Supernatural | 1 |
A Midsummer Nights Dream | 174 |
Cumulative Index to Topics | 404 |
Urheberrecht | |
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action appear Ariel audience authority become beginning believe Caliban called character claim course critics death Demetrius described desire devil effect Elizabethan English evil example experience expression eyes fact fairies father fear feel Ferdinand figure final force give hand Helena Hermia human idea imagination important interest island kind King knowledge Lady Macbeth later least less lines live look lovers Lysander Macbeth magic magician marriage masque means Midsummer Night's Dream mind Miranda moral mother murder nature never once opening peare performance perhaps person play play's possible present Prospero Queen question reason relation response scene seems sense Shakespeare speak speech spirits stage suggests symbolic tells Tempest Theseus things thought tion tradition tragedy true turn witchcraft witches woman women