Specimens of the British Poets: With Biographical and Critical Notices, and an Essay on English PoetryHenry Carey Baird, 1853 - 749 Seiten |
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Seite xiv
... Sense ........ ............. 163 163 THOMAS GOFFE ........... Scene from his Tragedy of “ Amurath , or the Courageous Turk " .......... 164 164 SIR FULKE GREVILLE ............ Knowledge ( from his " Treatise on Human Learning ...
... Sense ........ ............. 163 163 THOMAS GOFFE ........... Scene from his Tragedy of “ Amurath , or the Courageous Turk " .......... 164 164 SIR FULKE GREVILLE ............ Knowledge ( from his " Treatise on Human Learning ...
Seite 38
... sense to a full and frequent pause in the middle of the line . This break , by relieving the uniformity of the couplet measure , sometimes produces a graceful effect and a varied harmony which we miss in the exact and unbroken tune of ...
... sense to a full and frequent pause in the middle of the line . This break , by relieving the uniformity of the couplet measure , sometimes produces a graceful effect and a varied harmony which we miss in the exact and unbroken tune of ...
Seite 49
... sense of the word , a beginning , progress , and con- elusion . It seems as if the play began because the cur- tain rose , and ended because it fell . - SIR WALTER SCOTT , Mise . Prose Works , vol . vi . p . 343 . Beaumont and ...
... sense of the word , a beginning , progress , and con- elusion . It seems as if the play began because the cur- tain rose , and ended because it fell . - SIR WALTER SCOTT , Mise . Prose Works , vol . vi . p . 343 . Beaumont and ...
Seite 55
... sense came at last so far in aid of his deficient sensibility , that he gave up his system of rhyming tragedy , and adopt- ed Shakspeare ( in theory at least ) for his model . In poetry not belonging to the drama , he was at first an ...
... sense came at last so far in aid of his deficient sensibility , that he gave up his system of rhyming tragedy , and adopt- ed Shakspeare ( in theory at least ) for his model . In poetry not belonging to the drama , he was at first an ...
Seite 56
... sense of that poet , who in the his- tory of the world , has had no rival in beauty of expression . Dryden renovates Chaucer's thoughts , * and fills up Boccaccio's narrative outline with many improving touches : and though paraphrase ...
... sense of that poet , who in the his- tory of the world , has had no rival in beauty of expression . Dryden renovates Chaucer's thoughts , * and fills up Boccaccio's narrative outline with many improving touches : and though paraphrase ...
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Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aret beauty behold Ben Jonson blood Born breast breath bright Canterbury Tales Cham charms Chaucer court dear death delight Died dost doth earth English eyes fair fame fancy fate father fear flame genius give grace grief hand happy hast hath hear heart heaven Hengo honour hope Hudibras king lady language Layamon Leosthenes light live look Lord Lubberkin maid marriage Massinissa Metis mind Mirror for Magistrates Muse nature ne'er never night numbers nymph o'er pain passion pity pleasure poem poet poetical poetry praise pride prince queen racter rise Robert of Gloucester Rodmond Saxon scene Scotland seem'd shade Shakspeare shine sight sing smile soft song soul spirit sweet taste tears tell thee thine things thou art thought trembling truth Twas unto verse virtue wanton whilst wind wings wretch youth
Beliebte Passagen
Seite 337 - Go, lovely rose ! Tell her that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be. Tell her that's young, And shuns to have her graces spied. That hadst thou sprung In deserts where no men abide, Thou must have uncommended died. Small is the worth Of beauty from the light retired : Bid her come forth, Suffer herself to be desired, And not blush so to be admired. Then die ! that she The common fate of all things rare May read in thee, — How...
Seite 262 - GOING TO THE WARS Tell me not, Sweet, I am unkind That from the nunnery Of thy chaste breast and quiet mind, To war and arms I fly. True, a new mistress now I chase, The first foe in the field; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As you too shall adore; I could not love thee, dear, so much, Loved I not honour more.
Seite 203 - Drink to me only with thine eyes, And I will pledge with mine; Or leave a kiss but in the cup And I'll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine; But might I of Jove's nectar sup, I would not change for thine.
Seite 262 - I With shriller throat shall sing The sweetness, mercy, majesty, And glories of my King; When I shall voice aloud how good He is, how great should be, Enlarged winds, that curl the flood, Know no such liberty.
Seite 281 - That age is best, which is the first, When youth and blood are warmer; But being spent, the worse, and worst Times still succeed the former. Then be not coy, but use your time, And while ye may, go marry: For having lost but once your prime, You may for ever tarry.
Seite 541 - On a rock whose haughty brow Frowns o'er old Conway's foaming flood, Robed in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, like a meteor, to the troubled air) And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre.
Seite 542 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Seite 311 - And in sweet madness robb'd it of itself; But such a sacred, and home-felt delight, Such sober certainty of waking bliss I never heard till now.
Seite 137 - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of...
Seite 352 - Of these the false Achitophel was first, A name to all succeeding ages cursed; For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit; Restless, unfix'd in principles and place, In power unpleased, impatient of disgrace; A fiery soul, which, working out, its way, Fretted the pigmy body to decay, And o'er-inform'd the tenement of clay.