Essays: on Poetry and Music, as They Affect the Mind: On Laughter, and Ludicrous Composition; on the Usefulness of Classical Learning
E. and C. Dilly; and W. Creech, Edinburgh, 1779 - 515 Seiten
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
absurd Achilles admiration admit Æneid affections Agamemnon agreeable Anacreon ancient appear Aristotle attended beauty burlesque chap character Cicero colour comedy composition Dido dignity doubt Dryden Dunciad elegant elevated emotions English Epic Epic poetry equally expression fable fame fancy fense figures former genius Georgic give Greek harmony heart hero Homer Horace Hudibras human humour ideas Iliad imagination imitation improved incongruous instruction language Latin laughable laughter learned less Livy Lucretius ludicrous mankind manners mean melody Milton mind modern moral nations nature never numbers object occasion orator Ovid Paradise Lost passions peculiar perfection perhaps person philosophers pity pleasing pleasure poem poet poetical poetry Pope prose Quintilian racter raise reader reason rhime ridiculous Roman romantic love sensibility sentiments song sound speak style sublime supposed taste thing thought tion tongue tropes tural variety vers verse Virgil virtue voice whereof words writing
Seite 218 - Heaven, with all his host Of rebel Angels, by whose aid aspiring To set himself in glory...
Seite 504 - Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts: others to be read, but not curiously; and some few to be read wholly and with diligence and attention.
Seite 248 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
Seite 29 - I care not, Fortune, what you me deny : You cannot rob me of free Nature's grace ; You cannot shut the windows of the sky, Through which Aurora shows her brightening face; You cannot bar my constant feet to trace The woods and lawns, by living stream, at eve...
Seite 13 - WHAT shall I do to be for ever known, And make the age to come my own ? I shall, like beasts or common people, die, Unless you write my elegy ; Whilst others great, by being born, are grown; Their mothers' labour, not their own. In this scale gold, in th' other fame does lie, The weight of that mounts this so high.
Seite 30 - ... the murmur of the rivulet and in the uproar of the ocean, in the radiance of summer and gloom of winter, in the thunder of heaven and in the whisper of the breeze, he still finds something to rouse or to soothe his imagination, to draw forth his affections, or to employ his understanding.
Seite 414 - Georgics ; but throw the former into ridicule, as in the Lutrin^ I think this may very well be accounted for ; laughter implies...
Seite 354 - Cadwallador and Arthur, kings Full famous in romantic tale) when he, O'er many a craggy hill and barren cliff, Upon a cargo of fam'd Cestrian cheese, High over-shadowing rides, with a design To vend his wares, or at th' Avonian mart, Or Maridunum, or the ancient town Yclep'd Brechinia, or where Vaga's stream Encircles Ariconium, fruitful soil!
Seite 150 - ... it is very imperfectly, because we know not why: — the singer, by taking up the same air, and applying words to it, immediately translates the oration into our own language; then all uncertainty vanishes, the fancy is filled with determinate ideas...