Calcutta ReviewUniversity of Calcutta, 1964 |
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Seite 44
... poetic drama knew the power of poetry . He does not denounce poetry but verse ( the artificial form ) and declamation . ( the artificial delivery ) . He sought to give to the commonplace form of prose speech all the force and beauty that ...
... poetic drama knew the power of poetry . He does not denounce poetry but verse ( the artificial form ) and declamation . ( the artificial delivery ) . He sought to give to the commonplace form of prose speech all the force and beauty that ...
Seite 71
... POETRY The artistic restraint , which he consciously and constantly exercises on his personal feelings of bitterness and indignation , enables him , on the one hand , to see clearly the real issues involved in the War and , on the other ...
... POETRY The artistic restraint , which he consciously and constantly exercises on his personal feelings of bitterness and indignation , enables him , on the one hand , to see clearly the real issues involved in the War and , on the other ...
Seite 266
... poetry . In Owen's satirical touches , instead of virulence , we have good- natured contempt . In short , Owen never sacrificed poetry at the altar of satire . Satire is never friendly to poetry , and though some poets like Burns and ...
... poetry . In Owen's satirical touches , instead of virulence , we have good- natured contempt . In short , Owen never sacrificed poetry at the altar of satire . Satire is never friendly to poetry , and though some poets like Burns and ...
Inhalt
JANUARY 1964 | 23 |
Evolution and Human Progress | 33 |
Poetic Drama and W B Yeats | 41 |
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