Shakespearean CriticismGale Research International, Limited, 1993 - 480 Seiten With chronologically arranged excerpts from nearly 400 years of commentary, this illustrated series provides useful support to students and teachers. It presents an extensive collection of critical excerpts dealing with all of Shakespeare's plays and non-dramatic poems. It also traces the history of Shakespeare's plays on the stage and in important films. Included are eyewitness reviews and retrospective evaluations of individual productions. |
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Seite 281
... seems clear , is that the witches cover a lot of space ; in fact , they cover the world . Shakespeare's words indicate that they are separating to meet again , but only in Polan- ski - if my memory of previous stage and movie versions ...
... seems clear , is that the witches cover a lot of space ; in fact , they cover the world . Shakespeare's words indicate that they are separating to meet again , but only in Polan- ski - if my memory of previous stage and movie versions ...
Seite 336
... seem to be overhearing him in what seems a pain- fully cerebral task of discovering all of its meaning . Unlike Olivier , who dares all on one note , or Gielgud , who soars and swoops in a flight whose direction and destination is ...
... seem to be overhearing him in what seems a pain- fully cerebral task of discovering all of its meaning . Unlike Olivier , who dares all on one note , or Gielgud , who soars and swoops in a flight whose direction and destination is ...
Seite 418
... seems to be . Today's acting techniques encourage introspection and psychological analysis and so the actor naturally turns his attention to the multiple role that Ross does indeed have . He seems in close touch with everyone , in on ...
... seems to be . Today's acting techniques encourage introspection and psychological analysis and so the actor naturally turns his attention to the multiple role that Ross does indeed have . He seems in close touch with everyone , in on ...
Inhalt
Macbeth | 1 |
Timon of Athens | 425 |
Selected Studies of Shakespearean Productions | 501 |
Urheberrecht | |
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acting action actor actress ambition appearance audience banquet scene Banquo Banquo's ghost beth beth's blood castle cauldron character costumes crime critic dagger dark David Garrick death dramatic dress Duncan Duncan's murder effect Ellen Terry essay date evil fear feeling film Fleance Garrick Hamlet hand Hecate Henry Irving horror husband Ian McKellen imagination interpretation Irving Kean Kemble Kemble's King Lady Mac Lady Macbeth Lady Macduff light lines look Macklin Macready Macready's Malcolm mance ment mind Miss nature never night Old Vic Olivier passion performance Phelps play play's Polanski present production of Macbeth review date review of Macbeth role seems sense Shake Shakespeare Siddons Siddons's sleep-walking scene soliloquy speak speech spirit stage Stratford suggest supernatural terror Thane theatre theatrical thing thou thought Throne of Blood Timon Timon of Athens tion tragedy tragic Trevor Nunn voice Weird Sisters Welles's wife witches words