Shakespearean CriticismGale Research International, Limited, 1993 - 480 Seiten With chronologically arranged excerpts from nearly 400 years of commentary, this illustrated series provides useful support to students and teachers. It presents an extensive collection of critical excerpts dealing with all of Shakespeare's plays and non-dramatic poems. It also traces the history of Shakespeare's plays on the stage and in important films. Included are eyewitness reviews and retrospective evaluations of individual productions. |
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Seite 10
... film has often been discussed as a reworking of the dualistic , good - versus - evil conception which informed the director's 1936 " voodoo " staging . As in his earlier Macbeth , Welles established the thematic unity of his film by ...
... film has often been discussed as a reworking of the dualistic , good - versus - evil conception which informed the director's 1936 " voodoo " staging . As in his earlier Macbeth , Welles established the thematic unity of his film by ...
Seite 206
... film will realise that this is more than fast . My purpose in mak- ing Macbeth was not to make a great film - and this is unusual , because I think that every film director , even when he is making nonsense , should have as his purpose ...
... film will realise that this is more than fast . My purpose in mak- ing Macbeth was not to make a great film - and this is unusual , because I think that every film director , even when he is making nonsense , should have as his purpose ...
Seite 326
... film's textual accuracy , but rather one of its truth as interpretation . III Consider Schaefer's Macbeth , which saw the film as an ideal medium by which to perfect the grand tradition of spectacular staging that stretches from the ...
... film's textual accuracy , but rather one of its truth as interpretation . III Consider Schaefer's Macbeth , which saw the film as an ideal medium by which to perfect the grand tradition of spectacular staging that stretches from the ...
Inhalt
Macbeth | 1 |
Timon of Athens | 425 |
Selected Studies of Shakespearean Productions | 501 |
Urheberrecht | |
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