I too awaken at midnight and stretch my arms to enfold A "What is an orphan boy?" I cried vague and shadowy image with tresses of My mother through her tears replied, brown and gold. "You'll know too soon, ill-fated child!" Experience is bitter indeed; I have learned And now they've tolled my mother's knell, at a heavy cost And I'm no more a parent's joy: The secret of love's persistency: I too have Oh, lady, I have learned too well loved and lost. GEORGE ARNOLD. What 'tis to be an orphan boy. MUSEUS. MUSEUS is the name of an ancient Greek poet and priest of Ceres. He is said to have been the pupil of Orpheus, and to have flourished about 1180 B. C. Julius Scaliger and others attribute to him the poem of "Hero and Leander," but this idea is not favorably received by scholars generally. That poem, it is claimed, was written by another Greek poet of the same name who is said to have lived about the fifth century. The following is a selection from the poem. HERO. FROM THE GREEK OF MUSEUS. The graceful virgin, of a noble strain, tower, Far from her parents, in her bashful flower, Nor 'midst the youthful dancers skimmed in air, She shunned the curious glance of female eyes, And women's beauty-kindled jealousies, Still to propitiate Venus fondly strove, Such Hero's cheek, but on those cheeks of snow Were two vermilion circles seen to glow: And he that looked on Hero's limbs had said With roses as the robe's white drapery flowed, excel; She wore the priestess' lowly garb in vain Who was herself the Venus of the fane. Each youth of tender soul infected sighed, Nor one but wished to clasp her for his bride ; As o'er the temple's marble floor she moved, Men's eyes, hearts, souls, with all her motions. roved. ROMAN SHEPHERD. HE shepherds of the Abruzzi have long formed a small but very distinct class And soothed with frankincense the power of that may almost be considered in the light Love. of a caste among the people of the Italian She feared his quivered flames, his mother's peninsula. In generations not long ago they arts, Yet could not so escape his fiery darts. very frequently combined with the vocation of shepherds the less peaceful but more remunerative profession of brigandage, and many a romance has been woven, in fiction and in reality, wherein these bucolic knights of the road have figured. THE OLD APPLE TREE. AM thinking of the home- Oh what a dreamy life I led stead With its low and sloping Where the daisies and the buttercups A pleasant carpet made! roof, And the maple boughs that When swelling fruit blushed ruddily To summer's balmy breath, And the laden boughs drooped heavily To the greensward underneath. 'Twas brightest in a rainy day, When all the purple west Fell from the dripping eaves, But oh, the scene was glorious When clouds were lightly riven, And there, above my valley-home, Came out the bow of heaven, And in its fitful brilliancy Hung quivering on high Like a jewelled arch of paradise Reflected through the sky. I am thinking of the footpath My constant visits made Between the dear old homestead And that leafy apple shade, Where the flow of distant waters Came with a tinkling sound, Like the revels of a fairy-band Beneath the fragrant ground. I haunted it at eventide, I have listened to the music- A yearning love of poesy, A thirsting after fame. I have gazed up through the foliage Dwelt on the changing skies, And I've almost heard their harp-strings |