MacbethPenguin, 1967 - 200 Seiten In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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Seite 22
... song , rocked him asleep , that he snorted again ; and in the meantime closely conveyed under the clothes where- withal he was covered a vizard like a swine's snout upon his face , with three wire chains fastened thereunto , the other ...
... song , rocked him asleep , that he snorted again ; and in the meantime closely conveyed under the clothes where- withal he was covered a vizard like a swine's snout upon his face , with three wire chains fastened thereunto , the other ...
Seite 33
... songs in the Davenant version . The point to make here is their appropriateness to a new concep- tion of the play . Davenant introduces a completely new Witch - scene , after Act II , scene 4. On the blasted heath Lady Macduff meets ...
... songs in the Davenant version . The point to make here is their appropriateness to a new concep- tion of the play . Davenant introduces a completely new Witch - scene , after Act II , scene 4. On the blasted heath Lady Macduff meets ...
Seite 44
... songs named in the Folio text - ' Black spirits etc. ' ( IV.1.43 ) and ' Come away , come away etc. ' ( III.5.35 ) - appear ( in full ) ... song - style and in lyric altered more rapidly than fashions in spoken verse ; and the 44 INTRODUCTION.
... songs named in the Folio text - ' Black spirits etc. ' ( IV.1.43 ) and ' Come away , come away etc. ' ( III.5.35 ) - appear ( in full ) ... song - style and in lyric altered more rapidly than fashions in spoken verse ; and the 44 INTRODUCTION.
Seite 45
... songs that are only known from a single dramatic text , and obviously written for that text . It is possible indeed that full texts of the Middleton songs did not appear in any Macbeth before the Quarto of 1673 - where they are , pre ...
... songs that are only known from a single dramatic text , and obviously written for that text . It is possible indeed that full texts of the Middleton songs did not appear in any Macbeth before the Quarto of 1673 - where they are , pre ...
Seite 102
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Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
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