MacbethPenguin, 1967 - 200 Seiten In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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William Shakespeare G. K. Hunter. CONTENTS INTRODUCTION FURTHER READING MACBETH COMMENTARY 7 46 51 139 AN ACCOUNT OF THE TEXT 189 U INTRODUCTION THE SENSE OF THE PLAY REDUCED to its.
William Shakespeare G. K. Hunter. CONTENTS INTRODUCTION FURTHER READING MACBETH COMMENTARY 7 46 51 139 AN ACCOUNT OF THE TEXT 189 U INTRODUCTION THE SENSE OF THE PLAY REDUCED to its.
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... play spreads out from our interest in the hero ; and the hero is here a criminal , or rather a man obsessed by his relation to those criminal tendencies that are so universal that we best describe them by speaking of ' evil ' . The play ...
... play spreads out from our interest in the hero ; and the hero is here a criminal , or rather a man obsessed by his relation to those criminal tendencies that are so universal that we best describe them by speaking of ' evil ' . The play ...
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... play is not , however , to be seen simply as Shake- speare's failure to produce radiance . Humility and self- distrust - even self - effacement - are necessary antitheses to the qualities of evil , as this work displays them . E. M. W. ...
... play is not , however , to be seen simply as Shake- speare's failure to produce radiance . Humility and self- distrust - even self - effacement - are necessary antitheses to the qualities of evil , as this work displays them . E. M. W. ...
Seite 9
... play . This question also requires to be tackled on the social no less than the psychological plane . When we first hear of Macbeth he is a great warrior , marvellously steeped in blood ( I.2.40-42 ) : Except they meant to bathe in ...
... play . This question also requires to be tackled on the social no less than the psychological plane . When we first hear of Macbeth he is a great warrior , marvellously steeped in blood ( I.2.40-42 ) : Except they meant to bathe in ...
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Häufige Begriffe und Wortgruppen
Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
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