Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 81Gale Research Company, 1984 |
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... charisma . Bol- ingbroke here exhibits the personal charisma with which he will capture both the public imagination and the throne . But his natural - body claim is ultimately disingenuous despite its charismatic force , since , as is ...
... charisma . Bol- ingbroke here exhibits the personal charisma with which he will capture both the public imagination and the throne . But his natural - body claim is ultimately disingenuous despite its charismatic force , since , as is ...
Seite 224
... charisma . For example , in his pelican speech Gaunt harps on Richard's wantonness while invoking the blood imagery : O , spare me not , my brother Edward's son , For that I was his father Edward's son ; That blood already , like the ...
... charisma . For example , in his pelican speech Gaunt harps on Richard's wantonness while invoking the blood imagery : O , spare me not , my brother Edward's son , For that I was his father Edward's son ; That blood already , like the ...
Seite 230
... charismatic capital , and that experiencing his charisma means shar- ing in a process of its distribution . Perhaps it is worth recalling in this context that Saint Paul speaks of distribution when describing the human manifestations of ...
... charismatic capital , and that experiencing his charisma means shar- ing in a process of its distribution . Perhaps it is worth recalling in this context that Saint Paul speaks of distribution when describing the human manifestations of ...
Inhalt
Antony and Cleopatra | 1 |
Character Studies | 13 |
Production Reviews | 42 |
Urheberrecht | |
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action aesthetic Antony and Cleopatra Antony's argues audience Autolycus become behavior body Bolingbroke Brutus Caesar character chard charisma Christian Cleo comedy comic court courtly critics crown death divine dramatic Egypt Elizabethan emotional English Enobarbus essay date fate female figure final Flint Castle Fortune Fortune's Gaunt gender Hamlet hath Henry Hermione Hermione's human identity imagery interpretation jealousy Julius Caesar king King Lear king's kingship language Leontes Leontes's London lovers loyalty Macbeth means medieval ment Merchant of Venice metaphor nature Octavius pastoral patra Paulina Perdita performance play's political Polixenes Portia production prophecy queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet royal says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean tragedy speak speare speare's speech stage suggests symbolic theatrical thou Timon tion tradition tragedy tragic truth Univ University Press Winter's Tale words York