Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 81Gale Research Company, 1984 |
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Seite 126
... Christian traditions . " 14 This largess , however , has not prevented the scene from being misread . Fortin , for example , writes that " The encounter [ between Launcelot and Old Gobbo ] takes place immediately after Launcelot's ...
... Christian traditions . " 14 This largess , however , has not prevented the scene from being misread . Fortin , for example , writes that " The encounter [ between Launcelot and Old Gobbo ] takes place immediately after Launcelot's ...
Seite 137
... Christians themselves do : " If a Jew wrong a Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge " ( III.i.71-74 ) . Consequently , the remedium ...
... Christians themselves do : " If a Jew wrong a Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge " ( III.i.71-74 ) . Consequently , the remedium ...
Seite 272
... Christian , one possibly but not necessarily pagan , are here blended to mark England as the choice of both God and Nature . The Christian tradition is picked up ten lines later in " Christian service " and " blessed Mary's Son ...
... Christian , one possibly but not necessarily pagan , are here blended to mark England as the choice of both God and Nature . The Christian tradition is picked up ten lines later in " Christian service " and " blessed Mary's Son ...
Inhalt
Antony and Cleopatra | 1 |
Character Studies | 13 |
Production Reviews | 42 |
Urheberrecht | |
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action aesthetic Antony and Cleopatra Antony's argues audience Autolycus become behavior body Bolingbroke Brutus Caesar character chard charisma Christian Cleo comedy comic court courtly critics crown death divine dramatic Egypt Elizabethan emotional English Enobarbus essay date fate female figure final Flint Castle Fortune Fortune's Gaunt gender Hamlet hath Henry Hermione Hermione's human identity imagery interpretation jealousy Julius Caesar king King Lear king's kingship language Leontes Leontes's London lovers loyalty Macbeth means medieval ment Merchant of Venice metaphor nature Octavius pastoral patra Paulina Perdita performance play's political Polixenes Portia production prophecy queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet royal says scene seems sense sexual Shake Shakespeare Shakespeare's play Shakespearean tragedy speak speare speare's speech stage suggests symbolic theatrical thou Timon tion tradition tragedy tragic truth Univ University Press Winter's Tale words York