Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
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Seite 38
... speech and the ' mercy speech ' could be explained very differently . For within the construction of the play , the speech in which Portia dismisses a list of suitors with witty set piece descriptions has to do more than express her ...
... speech and the ' mercy speech ' could be explained very differently . For within the construction of the play , the speech in which Portia dismisses a list of suitors with witty set piece descriptions has to do more than express her ...
Seite 71
... speech , her alienation is complete , and with it , the actor's options for consciously motivated action are further narrowed . This second speech , again in rhymed couplets , occurs after the eavesdropping scene , in which Thersites ...
... speech , her alienation is complete , and with it , the actor's options for consciously motivated action are further narrowed . This second speech , again in rhymed couplets , occurs after the eavesdropping scene , in which Thersites ...
Seite 279
... speech in A Shrew is not . What can we make of the striking differences between these speeches - differences ... speech nonetheless clearly casts wom- an in a role for which she can at best apologize . In The Shrew , however , Katherine ...
... speech in A Shrew is not . What can we make of the striking differences between these speeches - differences ... speech nonetheless clearly casts wom- an in a role for which she can at best apologize . In The Shrew , however , Katherine ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress Claudio Cleopatra comedies comic conventions Cordelia Coriolanus Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage story suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young