Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 84
Seite 144
... sense of self ) as to the child's sense of gender . It is only for the purpose of analysis , however , that the two facets of identity can be separated . Both sexes begin to develop a sense of self in relation to a mother - woman . But ...
... sense of self ) as to the child's sense of gender . It is only for the purpose of analysis , however , that the two facets of identity can be separated . Both sexes begin to develop a sense of self in relation to a mother - woman . But ...
Seite 163
... sense Tate and his con- temporaries were quite right : Shakespeare does go too far in King Lear . But , having done so , he also produces no stylistic justification for doing so . That , to us , is the final effectiveness of his art ...
... sense Tate and his con- temporaries were quite right : Shakespeare does go too far in King Lear . But , having done so , he also produces no stylistic justification for doing so . That , to us , is the final effectiveness of his art ...
Seite 214
... sense and passion . Claudio fits the pattern of Bembo's typical " young " lover who acts primarily in terms of sense knowledge rather than reason , and is moved by desire and passion rather than the higher love - one who , in short ...
... sense and passion . Claudio fits the pattern of Bembo's typical " young " lover who acts primarily in terms of sense knowledge rather than reason , and is moved by desire and passion rather than the higher love - one who , in short ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress Claudio Cleopatra comedies comic conventions Cordelia Coriolanus Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage story suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young