Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
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Seite 40
... Production , 1978 ] . He describes the ' interpre- tative fallacy ' in which the critic as interpreter ' replac- es a text by its meaning ' : it transposes the work into a commentary , a displacement intended to conjure up the content ...
... Production , 1978 ] . He describes the ' interpre- tative fallacy ' in which the critic as interpreter ' replac- es a text by its meaning ' : it transposes the work into a commentary , a displacement intended to conjure up the content ...
Seite 114
... production of salutary anxiety , a production he simultaneously questions and assimilates to his own authorial power . The fullest metatheatrical explorations of the phenomenon are in Measure for Measure and The Tempest , where both ...
... production of salutary anxiety , a production he simultaneously questions and assimilates to his own authorial power . The fullest metatheatrical explorations of the phenomenon are in Measure for Measure and The Tempest , where both ...
Seite 288
... production's use of masculine dress instantly raises the whole question of transvestite actors on the Eliza- bethan stage . This can be one argument for accepting the violent horseplay of The Taming of the Shrew- since the original ...
... production's use of masculine dress instantly raises the whole question of transvestite actors on the Eliza- bethan stage . This can be one argument for accepting the violent horseplay of The Taming of the Shrew- since the original ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress Claudio Cleopatra comedies comic conventions Cordelia Coriolanus Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage story suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young