Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
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Seite 102
... later , is sover- eign and intends to make the most of her indepen- dence . She and her husband simply take over Glouc- ester's house ; later , in the rivalry for Edmund , she plays her advantageous widowhood against Goneril . Her ...
... later , is sover- eign and intends to make the most of her indepen- dence . She and her husband simply take over Glouc- ester's house ; later , in the rivalry for Edmund , she plays her advantageous widowhood against Goneril . Her ...
Seite 225
... later feel a self - satisfaction akin to Petruchio's at the thought that his now obedient wife has allowed him to tame her . Beatrice's confession of her readiness to yield to Bene- dick's " loving hand " provides the rationale for a ...
... later feel a self - satisfaction akin to Petruchio's at the thought that his now obedient wife has allowed him to tame her . Beatrice's confession of her readiness to yield to Bene- dick's " loving hand " provides the rationale for a ...
Seite 238
... later plays . The wom- en in Love's Labor's Lost mask themselves , and they go into seclusion at the end ; Kate plays shrew and Titania evades Oberon ; Julia , Rosalind , Portia , and Viola are disguised . The literal masks of Beatrice ...
... later plays . The wom- en in Love's Labor's Lost mask themselves , and they go into seclusion at the end ; Kate plays shrew and Titania evades Oberon ; Julia , Rosalind , Portia , and Viola are disguised . The literal masks of Beatrice ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress Claudio Cleopatra comedies comic conventions Cordelia Coriolanus Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage story suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young