Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 31Gale Research Company, 1984 |
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Seite 61
... fact on which certain of its chroniclers and remem- brancers have improvised that slow , sad , eschatologi- cal music which is typified by these generalizations of Maurice Baring's : The actor's art dies with him ; but the rumour of it ...
... fact on which certain of its chroniclers and remem- brancers have improvised that slow , sad , eschatologi- cal music which is typified by these generalizations of Maurice Baring's : The actor's art dies with him ; but the rumour of it ...
Seite 99
... fact that , in spite of his psychological inequity , his division of the kingdom was ' just . ' He divided the land into three rich parts , intending for his favourite child a third evidently not larger , but more opulent , ' than those ...
... fact that , in spite of his psychological inequity , his division of the kingdom was ' just . ' He divided the land into three rich parts , intending for his favourite child a third evidently not larger , but more opulent , ' than those ...
Seite 270
... fact that The Taming of the Shrew lacks formal coherence does not mean , however , that it should be dismissed as a crude , early comedy . I will argue , rather , that The Taming of the Shrew is paradigmatic of Shakespearean comedy : the ...
... fact that The Taming of the Shrew lacks formal coherence does not mean , however , that it should be dismissed as a crude , early comedy . I will argue , rather , that The Taming of the Shrew is paradigmatic of Shakespearean comedy : the ...
Inhalt
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Urheberrecht | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress Claudio Cleopatra comedies comic conventions Cordelia Coriolanus Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage story suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young