The Dramatic Works of William Shakespeare, Band 2G. Bell, 1875 |
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Seite 8
... Exeunt ORLANDO and ADAM . Oli . Is it even so ? begin you to grow upon me ? I will physick your rankness , and yet give no thou- sand crowns neither . Hola , Dennis ! Enter DENNIS . Den . Calls your worship ? Oli . Was not Charles , the ...
... Exeunt ORLANDO and ADAM . Oli . Is it even so ? begin you to grow upon me ? I will physick your rankness , and yet give no thou- sand crowns neither . Hola , Dennis ! Enter DENNIS . Den . Calls your worship ? Oli . Was not Charles , the ...
Seite 19
... Exeunt Duke FRED . Train , and LE BEAU . Cel . Were I my father , coz , would I do this ? Orl . I am more proud to be Sir Rowland's son , His youngest son ; —and would not change that call- ing 15 , To be adopted heir to Frederick . Ros ...
... Exeunt Duke FRED . Train , and LE BEAU . Cel . Were I my father , coz , would I do this ? Orl . I am more proud to be Sir Rowland's son , His youngest son ; —and would not change that call- ing 15 , To be adopted heir to Frederick . Ros ...
Seite 20
... Exeunt ROSALIND and CELIA . Orl . What passion hangs these weights upon my tongue ? I cannot speak to her , yet she urg'd conference . O poor Re - enter LE BEAU . Orlando ! thou art overthrown ; Or Charles , or something weaker ...
... Exeunt ROSALIND and CELIA . Orl . What passion hangs these weights upon my tongue ? I cannot speak to her , yet she urg'd conference . O poor Re - enter LE BEAU . Orlando ! thou art overthrown ; Or Charles , or something weaker ...
Seite 24
... , you die . [ Exeunt Duke FREDERICK and Lords . Remorse , i . e . pity , compassion . So in Macbeth : - " Stop the access and passage to remorse . " Cel . O my poor Rosalind ! whither wilt thou 24 ACT I. AS YOU LIKE IT .
... , you die . [ Exeunt Duke FREDERICK and Lords . Remorse , i . e . pity , compassion . So in Macbeth : - " Stop the access and passage to remorse . " Cel . O my poor Rosalind ! whither wilt thou 24 ACT I. AS YOU LIKE IT .
Seite 26
... Exeunt . from Umbria in Italy , well known to artists . In the chorus to King Henry V. we have : - " The battle's umber'd face . " 9 This was one of the old words for a cutlass , a short crooked sword , coutelas , French . It was ...
... Exeunt . from Umbria in Italy , well known to artists . In the chorus to King Henry V. we have : - " The battle's umber'd face . " 9 This was one of the old words for a cutlass , a short crooked sword , coutelas , French . It was ...
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Häufige Begriffe und Wortgruppen
aglet Baptista BERTRAM better Bian Bianca Bion Biondello brother Clown Cotgrave Count daughter doth Duke Enter Exeunt Exit eyes fair father fool fortune gentle gentleman give Grumio hand hath hear heart HELENA hither honour Hortensio Illyria Kate Kath KATHARINA King knave lady Lafeu look lord Lucentio madam maid Malvolio marry master means mistress never night old copy reads Olivia Orlando Padua Parolles Petruchio Phebe play pr'ythee pray Re-enter Rosalind Rousillon SCENE second folio servant Shakespeare Signior Sir Andrew SIR ANDREW AGUE-CHEEK Sir Toby SIR TOBY BELCH sirrah speak swear sweet tell thee thine thing thou art thou hast Touch Tranio Troilus and Cressida Twelfth Night Vincentio VIOLA wife word young youth
Beliebte Passagen
Seite 45 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
Seite 389 - Come away, come away, death, And in sad cypress let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it ! My part of death, no one so true Did share it. Not a flower, not a flower sweet, On my black coffin let there be strown ; Not a friend, not a friend greet My poor corpse, where my bones shall be thrown : A thousand thousand sighs to save, Lay me, O, where Sad true lover never find my grave, To weep there ! Duke.
Seite 39 - twill be eleven; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Seite 46 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude. Heigh, ho ! sing, heigh, ho ! unto the green holly : Most friendship is feigning, most loving mere folly Then, heigh, ho, the holly ! This life is most jolly.
Seite 380 - O mistress mine, where are you roaming ? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know.
Seite 101 - This carol they began that hour, With a hey, and a ho, and a hey nonino, How that a life was but a flower In spring time, &C.
Seite 309 - The web of our life is of a mingled yarn, good and ill together : our virtues would be proud if our faults whipped them not; and our crimes would despair if they were not cherished by our virtues.
Seite 45 - With spectacles on nose, and pouch on side ; His youthful hose well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes , And whistles in his sound.
Seite 26 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.
Seite 31 - O good old man, how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat but for promotion, 60 And having that, do choke their service up Even with the having: it is not so with thee.