The Art of Clarinet PlayingAlfred Music, 1958 - 80 Seiten Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one. |
Inhalt
Breathing and Support | 18 |
Hands and Fingers | 28 |
Intonation | 36 |
Balance of Resistance in Playing DoubleLip Embouchure | 45 |
Legato Articulation | 51 |
Selected Etudes | 72 |
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allow alternate Andraud areas arpeggio B-flat balance bassoon beat become beginning blowing Boosey-Hawkes breath flow chalumeau chromatic scale clarinet tone clarinetists Concert correct Cundy-Bettoney double-lip Duets embouchure equal temperament Etudes exercise feeling finger action Fischer flexibility flute French horn G-sharp Grades habit hands and fingers high tones hold inch index finger instrument interval intonation joints Klosé Langenus legato little finger lower lip lungs maintain major Marcel Tabuteau Method for Clarinet mouth mouthpiece Mozart muscles oboe octave oral cavity overblowing overtones passage patterns phrase piano pick-up pitch playing poise practice pressure push Quintet reed register key relaxed release rhythmic right hand Rosé Rubank scales and chords side single-lip slurred soft palate Solos sound stress student teacher technique tense tension throat tone tightening tonal edge tone holes tone quality tongue Trio tuning upper lip upper teeth vibration woodwind wrist