Story-Telling Techniques in the Arabian Nights

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BRILL, 1992 - 262 Seiten
This work comprises a literary comparison of surviving alternative versions of selected narrative-cycles from the "Nights." Pinault draws on the published Arabic editions - especially Bulaq, MacNaghten, and the fourteenth-century Galland text recently edited by Mahdi - as well as unpublished Arabic manuscripts from libraries in France and North Africa. The study demonstrates that significantly different versions have survived of some of the most famous tales from the "Nights." Pinault notes how individual manuscript redactors employed - and sometimes modified - formulaic phrases and traditional narrative topoi in ways consonant with the themes emphasized in particular versions of a tale. He also examines the redactors' modification of earlier sources - Arabic chronicles and Islamic religious treatises, geographers' accounts and medieval legends - for specific narrative goals. Comparison of the narrative structure of diverse story-collection also sheds new light on the relationship of the embedded subordinate-narrative to the overarching frame-tale. All cited passages from the "Nights" and other Arabic story- collections have been fully translated into English.
 

Inhalt

An introduction to the Arabian Nights
1
B Oral performance and literary language in the Arabian Nights
12
A description of selected storytelling techniques from the Nights
16
Leitwortstil
18
Thematic patterning and formal patterning
22
Dramatic visualization
25
The Fisherman and the GenieEnchanted Prince cycle
31
The manuscripts
32
Paris 5725
176
geographical and legendary references in The City of Brass
180
B An analysis of scenes from The City of Brass
186
Damascus in the caliphs court
190
The Black Castle
194
The tale of the imprisoned genie
200
In the throneroom of Queen Tadmur
202
The return to Damascus
208

The Fisherman and the Genie
35
King Yunan and the Physician Duban
41
The Vizier of King SindibadThe Jealous Husband and the Parrot
43
King Sindibad and His Falcon
45
Return to the frame of Yunan and Duban The viziers tale of The Kings Son and the Ghoul
46
The Fishermanframe resumed
51
The function of exempla and Leitwörter in the Fisher manDuban cycle
53
The Tale of the Enchanted Prince Introduction
62
In the palace of the enchanted prince
64
The prince and the sorceress
69
The sultans stratagem
74
the narratives united
80
tales of Hārūn alRashīd his vizier
82
Caliphal adventures in unpublished North African man
139
The City of Brass
148
Tunis 04576 and the Hundred and One Nights
152
Paris 3118 and the Habicht edition of the Arabian Nights
157
Paris 3651 and 3668
173
The storytellers use of sources
210
Portrait of a courtier
213
the table of King Solomon
215
some early geographers accounts
216
Yaqut and the queens curse
217
a comparison with The Tale of the Second Quest
222
descriptive passages in Qazwīnī and in the tale of Abū Muḥammad the Lazy
223
The emirs retreat to pious solitude
225
Alternative versions of scenes from The City of Brass
226
the demons and the shaykh
227
Guardian statues and a kings treasure
229
tales end and the quiet life
230
E Form and meaning in The City of Brass
231
conclud ing notes on storytelling techniques in the Arabian Nights
240
Appendix List of selected manuscripts from libraries in Tunisia and Morocco containing Arabian Nightsanalogues and other examples of popular lite...
252
Bibliography of works cited
254
Index
260
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Autoren-Profil (1992)

David Pinault, Ph.D. (1986) in Oriental Studies, University of Pennsylvania, is Assistant Professor of Religion and Islamic Studies at Colgate University, Hamilton, New York. His publications include several studies on the subject of Arabic literature.

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