Mapping the Terrain: New Genre Public Art

Suzanne Lacy
Bay Press, 1995 - 293 Seiten
0 Rezensionen
Literary Nonfiction. Art History, Theory & Criticism. "In this wonderfully bold and speculative anthology of writings, artists and critics offer a highly persuasive set of argument and pleas for imaginative, socially responsible, and socially responsive public art.... This book will prove as valuable to art and cultural historians and critics as it will be to public policy makers, students and a diverse public audience"—Moira Roth, Mills College. "Energized by ideas and experiences in performance art, community art, installation, social history, and urban planning, artists are creating and invigorating new public art that imbues daily life with meaning and significance"—Richard Andrews, University of Washington.

Im Buch

Was andere dazu sagen - Rezension schreiben


Nutzerbericht  - Jane Doe - Kirkus

Preachy and polemical essays trace 25 years of alternative public art, addressing an exciting topic with airless earnestness. Editor Lacy is a conceptual and performance artist, a founding member in ... Vollständige Rezension lesen

Mapping the terrain: new genre public art

Nutzerbericht  - Not Available - Book Verdict

For several decades now, art has been leaving museum halls in search of a more vital interactive context. Some feel that this search represents a broad shift in perspective whose time has come. This ... Vollständige Rezension lesen


PREFACE Suzanne Lacy

10 weitere Abschnitte werden nicht angezeigt.

Häufige Begriffe und Wortgruppen

active activist Adrian Piper aesthetic African American Alan Sonfist Allan Kaprow Anna Halprin architecture Arlene Raven art history art world artwork audience Baca Barbara Kruger become Ben Blackwell Betye Saar border Bretteville California cartography Center Charles Simonds Cheri Gaulke Coco Fusco collaboration conceptual art conceptual artist contemporary art context Conwill created creative critical cultural curator David Hammons developed Duwamish environment environmental ethnic exhibition experience explored Feminist Art Fred Wilson gallery genre public art gentrification Gomez-Pena Guerrilla Girls Guillermo Gomez-Pena Hal Foster Hans Haacke Helen Mayer Helene Aylon Holocaust Project homeless Hung Liu ideas images incest included installation institutions interactive issues Jackson Pollock James Hillman Jane Jacob Jaune Quick-to-See Smith Jeff Koons Jenny Holzer Jesse Helms John Fekner Joseph Beuys Judy Chicago Kaprow landscape LAPD Latino lives Los Angeles Los Angeles River Lowell Darling Lucy Lippard Lynn Hershman Malpede Manhattan Margaret Harrison Martha Rosler mass media Maya Lin Mel Chin Mel Ziegler Mexican Mierle Laderman Ukeles Minneapolis Miriam Schapiro Mission District modernist multicultural mural Museum Nancy Holt Native American neighborhood often painting Paper Tiger Television park participants performance political postcard novels posters Public Art Fund public artists Rachel Rosenthal relationship response Richard Bolton Richard Misrach Robbie Conal Robert Arneson Robert Sanchez Robert Smithson role San Francisco Sava River sculpture seventies sexism Shu Lea Cheang Site-specific art social society South Bronx space Spoleto Festival USA strategies street studio Suzanne Lacy terrain Tijuana Tilted Arc Tim Rollins tion U.S.-Mexican border urban Vietnam Veterans Memorial viewers visual Vito Acconci Walker Art Center Wendell Berry Woman's Building women wrestling mask writing Yolanda Lopez York City

Bibliografische Informationen