Abstraction and the HolocaustYale University Press, 01.01.2007 - 294 Seiten Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically. |
Inhalt
Frank Stellas Polish Village series 19701974 | 79 |
Louiss Kahns Memorial to the Six Million | 113 |
Beryl Korots Dachau 1974 1974 | 141 |
Mel Bochners Via Tasso project 1993 | 169 |
The Commissions in the United States | 199 |
Peter Eisenmans Memorial | 239 |
Häufige Begriffe und Wortgruppen
abstract art Adorno AFPSP American architect architecture argued artists Auschwitz Barnett Newman Berlin Beryl Korot Black Paintings Blanchot book burnings building camp canvas CCSMJM Charred Journal colour commission context critics culture Dachau described discussed drawing Eisenman Eisenman's memorial Ellsworth Kelly encounter exhibition footage Frank Stella Freed Gallery glass Greenberg grid Hall of Witness Holocaust Holocaust memorial idea images installation interview Jewish Museum Jews Jews of Rome Joel Shapiro jury Kahn Kahn's Memorial Kelly kind Krauss look Louis's Lyotard material meaning Mel Bochner modernist monitors Monument Morris Louis Nancy Rosen narrative Nazi Nazism Peter Eisenman photographs Polish Villages question recalled representation Richard Serra sculpture seems sense shape shot Sol LeWitt space specific Stations structure suggested surface Susan Hiller swastika symbol tape Tasso tion USHMM viewer visitors visual wall White Fire Wooden Synagogues writing wrote York
Beliebte Passagen
Seite 281 - Jacques Derrida, The Truth in Painting, trans. Geoff Bennington and Ian McLeod (Chicago: University of Chicago Press, 1987).