He Do the Police in Different Voices: The Waste Land and Its Protagonist

Absolute allegory Bakhtin begins body burning burning castration chronotope clean and proper consciousness Consider Phlebas contrast crowd culture dead desire diegesis discourse divine drowned Eugenides eyes feeling female Fisher King fishing Game of Chess hair heart of light Heteroglossia human hyacinth Hyacinth garden hyacinth girl Ibid Jessie Weston jug jug Julia Kristeva Kristeva language Lord Thou pluckest Lyndall Gordon Madame Sosostris Marie metaphor metaphysical metonymic Mimesis modern mother mountains narrative natural nymphs object once paragraph passage Phlebas Phoenician poem poet poetry Powers of Horror protagonist rain repetition rhyme rhythm romantic sailor says seems sense sensual shadow shantih silence singing song soul sound speak speech spiritual stony rubbish style suggests symbol syntax T. S. Eliot tagonist Thames theater thunder tion Tiresias trans turn typist University Press Unreal City Valerie Eliot verse violet hour voice Waste Land woman women words writing York